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All Journal Jurnal Pendidikan Indonesia Jurnal Seni Nasional Cikini
Julian Prio Dwi Nugroho
Universitas Negeri Yogyakarta, Yogyakarta, Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Basics Fashion Photo Editing Module for Fashion Design Students Based on Indonesian National Work Competency Standards Julian Prio Dwi Nugroho; Mohammad Adam Jerusalem
Jurnal Pendidikan Indonesia Vol 12 No 4 (2023): December
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpiundiksha.v12i4.63638

Abstract

The limitations of the learning media on fashion photo editing materials become the main obstacle to achieving basic digital photo editing competence in the Fashion Photography course. Therefore, it is necessary to develop relevant modules. This study aims to develop an SKKNI-based basics fashion photo editing module for fashion students that can be used in the learning activities of fashion photography. This study is a research and development conducted using the ADDIE model. The subjects of this study were 30 students of the Fashion Design Study Program. The data were obtained from product evaluation by material experts and media experts as well as field trials involving research subjects. These data were analyzed using descriptive quantitative techniques. The result of this study is a basic module for fashion photo editing based on the basic digital photo processing competency sub-unit materials in the Indonesian National Work Competency Standards of Photography. From the material aspect, the developed module was considered valid (0.85) and reliable (0.742). The media aspect of the module was also regarded as valid (0.82) and reliable (0.714). Thus, it can be concluded that the module developed was of expert quality and feasible to use. Based on the percentage of students achieving the minimum passing grade, the developed module is categorized as effective (80%) as a learning media in the basic materials of fashion photo editing.
Batik Bhumi Phala: Manifestasi Identitas Kabupaten Temanggung Dalam Wastra Julian Prio Dwi Nugroho; Widihastuti; Mohammad Adam Jerusalem
Jurnal Seni Nasional Cikini Vol. 11 No. 2 (2025): Mengkaji Identitas dan Makna Simbolik dalam Karya Seni
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v11i2.560

Abstract

Penelitian ini bertujuan mengembangkan Batik Bhumi Phala sebagai representasi identitas Kabupaten Temanggung melalui eksplorasi unsur alam dan budaya lokal. Menggunakan metode penciptaan seni, penelitian dilakukan melalui tiga tahap: eksplorasi, perancangan, dan perwujudan. Tahap eksplorasi mengidentifikasi sumber ide visual khas Temanggung yaitu daun tembakau, buah dan bunga kopi, Tugu Jam, serta Gunung Sumbing dan Sindoro. Pada tahap perancangan, sumber ide tersebut ditransformasikan menjadi motif batik melalui stilisasi untuk tembakau, kopi, dan Tugu Jam, serta deformasi untuk Gunung Sumbing dan Sindoro, kemudian ditata dalam komposisi simetris. Tahap perwujudan meliputi pengutipan motif, nglowong, pewarnaan, nglorod, dan penjemuran dengan penggunaan pewarna alam ekstrak daun tembakau dan fiksator tunjung. Produk Batik Bhumi Phala memuat nilai filosofis sekaligus mencerminkan identitas budaya Temanggung sehingga berfungsi sebagai penguat karakter kultural masyarakat. This study aims to develop Batik Bhumi Phala as a representation of Temanggung Regency’s identity through the exploration of local natural and cultural elements. Employing an artistic creation method, the research was conducted through three stages: exploration, design, and realization. The exploration stage identified distinctive visual sources from Temanggung, including tobacco leaves, coffee fruits and flowers, the Clock Tower, and Mount Sumbing and Mount Sindoro. In the design stage, these sources were transformed into batik motifs using stylization techniques for tobacco, coffee, and the Clock Tower, and disformation techniques for Mount Sumbing and Mount Sindoro, arranged into symmetrical compositions. The realization stage involved motif tracing, nglowong, dyeing, pelorodan, and drying, utilizing natural dyes extracted from dried tobacco leaves with tunjung as the fixative. Batik Bhumi Phala embodies philosophical values and reflects the cultural identity of Temanggung, thereby strengthening the community’s cultural character.
Co-Authors Mohammad Adam Jerusalem Widihastuti