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All Journal Sintesis Hasta Wiyata
Ichan, Galuh Rahmah
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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IMPLIKATUR PADA VIDEO UNGGAHAN BINTANG EMON TANGGAL 9 OKTOBER 2020 DI TWITTER Ichan, Galuh Rahmah
Hasta Wiyata Vol. 6 No. 1 (2023)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2023.006.01.01

Abstract

ABSTRACTThe article titled "Implicative Analysis of Bintang Emon's Video Upload on October 9, 2020, on Twitter" is a study that discusses the principle of implication in Bintang Emon's video that was uploaded via Twitter on October 9, 2020. The analysis of implicature in this paper aims to find out the actual meanings of criticism conveyed by Bintang Emon regarding the phenomenon of law enforcement. We can see this from the background of Bintang Emon, who is a stand-up comedian that active in voicing his criticism of political and social issues. The research method used is qualitative that focuses on the field of pragmatic discourse analysis with a theoretical basis developed by Sperber and Wilson (2008). Through this research, the researcher finds out that the speech on Bintang Emon's video on October 9, 2020, contains the principle of implicature with contextual meaning that is influenced by situation, place, time, and environment. The video uploaded by Bintang Emon on his Twitter account on October 9, 2020, is a form of his reaction to comments regarding the issue of the Omnibus Law which has mentioned his name on various social media sites. In the video, Bintang Emon uses a form of satire as a criticism of the government. Therefore, this is the background of the implicative in his speech.Key Words : Implicative, Bintang Emon, RUU
Manipulasi tokoh perempuan sebagai dominasi laki-laki dalam film Selesai karya sutradara Tompi: Kajian analisis wacana Sara Mills Ichan, Galuh Rahmah; Zakiyah, Millatuz
Sintesis Vol 17, No 2 (2023)
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/sin.v17i2.5602

Abstract

Film Selesai karya sutradara Tompi dirilis pada tahun 2021. Film ini menyoroti bentuk-bentuk ketidakadilan gender yang terjadi kepada perempuan dalam lingkup rumah tangga. Berdasarkan hal tersebut, penelitian ini bertujuan untuk mendeskripsikan posisi subjek-objek tokoh perempuan, posisi pembaca terhadap film Selesai, citra tokoh perempuan, manipulasi sebagai kekerasan integritas dan mental psikologi. Penelitian ini menggunakan pendekatan analisis wacana Sara Mills. Data dikumpulkan dengan metode simak dengan teknik catat. Hasil dari penelitian ini adalah (1) tokoh Ayu dan Ibu diposisikan sebagai subjek, (2) tokoh Anya dan Yani diposisikan sebagai objek, (3) posisi pembaca berada pada tokoh Ayu, (4) citra perempuan yang muncul dalam film ini menandakan adanya bentuk dominasi laki-laki dalam rumah tangga, (5) perilaku manipulasi dalam film ini merujuk pada tokoh Ayu dan Yani.
Co-Authors Millatuz Zakiyah, Millatuz