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Heuristic political behavior in the 2024 presidential general election: Fandom humanies case study Husna, Dwi
Jurnal Inovasi Ilmu Sosial dan Politik (JISoP) Vol 6 No 1 (2024)
Publisher : Universitas Islam Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/jisop.v6i1.21636

Abstract

The K-Popers phenomenon in the elections in Indonesia in 2024 is the first record in the history of election contestation because it contains a combination of South Korean Pop culture and Indonesian Politics. K-Pop fans have the characteristics of a strong social group so that when they enter politics they join the Humanies fandom and form a social group that supports Anies Baswedan as a candidate for President of Indonesia in 2024-2029. This research aims to describe the representation of heuristic political behavior from the Humanies fandom in the 2024 elections. This research uses qualitative research methods with a literature study approach. So the data source in this research comes from secondary data. The research results show that the representation of heuristic political behavior from the Humanies fandom is in the form of creating a social media account K-Pop terms in updates on Anies' activities, right up to making fan merch (photocards, light sticks, glasses, etc.). The political behavior carried out by individuals in the Humanies fandom is based on the styles of K-Popers present in politics which have inadvertently been formed by Anies. This K-Popers style ultimately makes individuals in the Humanies fandom more expressive in politics.
THE SOCIAL REALITY OF WOMEN'S LIVES AS REPRESENTED IN THE MOVIE OF BARBIE (2023) Husna, Dwi
Prologue: Journal on Language and Literature Vol. 10 No. 2 (2024): Prologue: Journal on Language and Literature
Publisher : Faculty of Letters Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/jurnalprologue.v10i2.178

Abstract

Women have historically been depicted through negative stereotypes, portrayed as dependent, vulnerable, and unable to lead. Films often reinforce these roles, emphasizing women's domestic responsibilities while men dominate public spheres. However, the release of Barbie (2023) presents a transformative perspective, advocating for gender equality. This study analyzes the representation of women in Barbie (2023) using Roland Barthes' semiotic theory, focusing on signs, myths, and their connotative and denotative meanings. The research uncovers three key representations: (1) women can achieve any aspiration; (2) women can be independent and assertive; and (3) women exhibit courage in the face of oppression. The findings reveal that the protagonist in Barbie reflects the evolving social realities of women, depicting them as strong and independent, contrary to traditional patriarchal views. This shift indicates a progressive decline in outdated gender perspectives, showcasing a positive portrayal of gender equality. Ultimately, Barbie (2023) serves as a significant cultural artifact that promotes a more equitable view of women's roles in society.
The Social Segregation in I Know Why The Caged Bird Sings by Maya Angelou Husna, Dwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 3 (2024): Juli 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i3.14863

Abstract

This study examines social segregation in Maya Angelou's "I Know Why the Caged Bird Sings" through a sociological lens, employing the framework of the sociology of literature. The literature review explores three perspectives within this framework: sociology of the author, sociology of the society, and sociology of the reader. Using Angelou's novel as a case study, the research focuses on the racial discrimination and segregation faced by African Americans in the 1930s and 1940s, emphasizing the lasting impact of historical injustices.