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Forbidden Marriages In Novel 'Kemarau' And Reality In The Life Of The Minangkabau Community Desman, Febri; Barkah, Hendri Jihadul; Wahyuni, Wahida
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 1 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i1.4161

Abstract

The novel “Kemarau” by A.A. Navis is a literary work that reflects the social life of the Minangkabau community. The main focus of this novel is on the life struggles of its characters. The issue of marriage, particularly the marriages involving the children in the novel, becomes the central focus of this research, aiming to uncover the problems and reasons behind the forbidden marriages portrayed in the story. Forbidden marriages in “Kemarau” arise from the father's attempt to overcome loneliness and the mother's mistake of not introducing or telling the story about the child's biological father. The causes of these forbidden marriages involve divorce, parental factors, and the influence of migration.In its analysis, this novel will be elaborated using sociological literature theory. This approach allows us to delve into the social life of a community reflected in a literary work and connect it with the reality of society during the birth and after the existence of the work. The research findings indicate that “Kemarau” is not only a literary masterpiece but also provides profound insights into the social dynamics of Minangkabau society. By delving into its social reality, the novel becomes a source of learning that enriches readers' experiences with the dynamics of life and marriage in Minangkabau culture
Representasi Identitas Budaya dalam Cerita Rakyat Nusantara: Kajian Strukturalisme Levi-Strauss Barkah, Hendri Jihadul; Desman, Febri
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.5701

Abstract

Folktales, as part of the rich oral literary tradition of the Indonesian archipelago, play a significant role in shaping and representing the cultural identity of a society. This study aims to examine the narrative structures within Indonesian folktales using Claude Lévi-Strauss’s structuralist approach, which focuses on binary oppositions and the logical relationships between story elements. The method employed is qualitative-descriptive, utilizing narrative text analysis on five folktales from various regions in Indonesia, such as Malin Kundang (West Sumatra), Timun Mas (Java), The Legend of Lake Toba (North Sumatra), The Crying Stone (Kalimantan), and Sangkuriang (West Java). The findings reveal that beneath the variety of stories and geographical settings, there are recurring structural patterns, such as conflicts between child and parent, human and nature, or good and evil. These patterns reflect cultural values deeply held by the storytelling communities, such as respect for parents, moral consequences, and a spiritual relationship with nature. By mapping the structures within these folktales, the study finds that Indonesian folktales do not merely deliver entertainment or moral lessons, but also serve as symbolic representations of collective cultural identity. This study is expected to enrich the understanding of Indonesia’s oral cultural heritage and open pathways for cross-cultural interpretation through a structuralist lens.