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All Journal KEMBARA Cendekia: Jurnal Ilmu Sosial, Bahasa dan Pendidikan
Ariesya, Retno Oktafiayu
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Education Languange, Linguistic, Communication & Media Social Sciences Other

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Analisis Tindak Tutur Ilokusi dalam Film Mariposa Karya Alim Sudio Zahra Oktiawalia, Rahmita; Ariesya, Retno Oktafiayu; Husnul Khotimah, Anis Marfuah; Setiawan, Kodrat Eko Putro; Utomo, Asep Purwo Yudi
CENDEKIA: Jurnal Ilmu Sosial, Bahasa dan Pendidikan Vol. 2 No. 2 (2022): CENDEKIA: Jurnal Ilmu Sosial, Bahasa dan Pendidikan
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1140.254 KB) | DOI: 10.55606/cendikia.v2i2.298

Abstract

Speech act is one of the analyzes of pragmatic studies that examines language and relates to aspects of its actual use. One type of speech act is illocutionary speech act. There are many kinds that can be studied using illocutionary speech acts, one of which is speech acts in films. The background of this research is because the film Mariposa by Alim Sudio found many sentences or utterances that refer to the type of illocutionary speech act. This study aims to analyze and describe the types and forms of illocutionary speech acts that exist in the speech of the characters in the Mariposa film. The research method in this study used a pragmatic and qualitative research form. Based on data analysis, it was found that in Alim Sudio's Mariposa film there are 50 illocutionary speech acts which include representative speech acts, directive speech acts, expressive or evaluative speech acts, commissive speech acts, and declaration speech acts. The representative speech acts in Alim Sudio's Mariposa film consist of fifteen utterances. There are sixteen directive speech acts in Alim Sudio's Mariposa film. There are eleven expressive or evaluative speech acts in the Mariposa film by Alim Sudio. There are four commissive speech acts in Alim Sudio's Mariposa film. There are four speech acts of declaration in Alim Sudio's Mariposa film. Then, the benefits of research on illocutionary speech acts in Alim Sudio's film Mariposa are to have a critical understanding, broaden horizons, increase knowledge and knowledge from analyzing illocutionary speech acts through films.
Figurative language and imagery in Hindia's song lyrics on the album “Lagipula Hidup Akan Berakhir” Ariesya, Retno Oktafiayu; Rustono, Rustono
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 12 No. 1 (2026): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v12i1.42403

Abstract

This study examines the use of figurative language and imagery in the song lyrics of Hindia’s album Lagipula Hidup Akan Berakhir through a stylistic approach. While previous studies on song lyrics tend to focus on isolated texts, they rarely explore how stylistic patterns operate systematically across a complete album as a unified textual entity. This study aims to identify types of figurative language, classify forms of imagery, and explain their stylistic functions in constructing existential meanings within the album. This research employed a qualitative descriptive design. The data consist of words, phrases, clauses, and sentences containing figurative language and imagery drawn from all songs in the album. Data were collected using listening and note-taking techniques and analyzed through an interactive model involving data reduction, data display, and conclusion drawing. A coding framework was used to systematically categorize figurative devices and imagery types. The findings reveal that comparative figures of speech, particularly metaphor, simile, and personification, are the most dominant forms. These expressions function as conceptual tools to represent abstract experiences such as loss, anxiety, and mortality. Oppositional figures, including irony, paradox, and hyperbole, help convey emotional tension and social critique. In terms of imagery, visual imagery is the most dominant type, indicating a strong reliance on visual representation to construct meaning and enhance imaginative engagement. This study contributes to stylistic studies by demonstrating that song lyrics within a single album exhibit consistent, systematic stylistic patterns that function cohesively to construct existential themes.
Co-Authors Asep Purwo Yudi Utomo Husnul Khotimah, Anis Marfuah Kodrat Eko Putro Setiawan Rustono - Zahra Oktiawalia, Rahmita