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All Journal Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Jurnal Penelitian Musik Jurnal Penelitian Musik
Rizki Harmono Sejati, Irfanda
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Creativity Products of the Calung Al-Khoir Pagongan Tegal Music Group in the Song Arrangement Process Nurjanah, Putri Eka; Rizki Harmono Sejati, Irfanda
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p179-199

Abstract

This article aims to find out the product results of the creativity of the Calung Al-Khoir Pagongan Tegal music group in creating a new arrangement of an existing song as well as the process of practicing the Calung Al-Khoir Pagongan Tegal music group. This writing is qualitative writing with the writing location in Grogol Village, Dukuhturi District, Tegal Regency, namely the Al-khoir Pagongan calung music group. The Al-khoir Pagongan calung music group, located in Grogol Village, Dukuhturi District, Tegal Regency, is one of the calung music groups that actively performs in the city of Tegal. This music group, which was formed in 2018, operates through an agreement between young people to fill their free time which is then used as a means of earning a living besides their main job. The Al-Khoir music group is a Calung music group that performs songs with the characteristics of Calung Banyumasan. Data collection techniques were carried out using observation, interviews, and documentation with sources. Data analysis is obtained from reduction, data presentation, and concluding. This article was also written using a musicological approach. The focus of this writing problem is creativity in arranging songs and the process of practicing the Calung Al-Khoir music group. The results of this writing show that the creative product produced by the Al-khoir Pagongan calung music group is in the process of practicing, making arrangements, costumes during performances, and the concept of appearance at each different event. This writing concludes that the Calung Al-koir Pagongan Tegal Music Group produces creative products, namely song arrangements, costumes when performing, different formations of musicians at each different event, as well as their performance concept which carries the calung Banyumasan concept.
HARMONY AND SCALE ANALYSIS GUITAR PLAYING OF THE SONG KROMATIK LAGI BY DEWA BUDJANA Firdaus, Taufiqurrihan; Rizki Harmono Sejati, Irfanda
Jurnal Penelitian Musik Vol 4 No 1 (2023): March 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.41.01

Abstract

This study aims to analyze the harmony and scales in guitar playing by Dewa Budjana in his work entitled Kromatik Lagi. The thing that is focused in this research is how tones that are outside the ionian scale can be included in an interesting work. The research method used is a qualitative method with an analytical description approach that refers to the Miles and Huberman model. The data collected is in the form of sheet music that will be discussed per beat and there are a total of 20 beats that include intro and theme. This research only examines the intro and theme sections. It can also be concluded that the work Kromatik Lagi by Dewa Budjana is not playing with origin. But based on some music theory so that it can include chromatic notes that are heard if played in sequence the tone sounds dissonant or disturbing.
Aransemen Keroncong Lagu Widodari Karya Denny Caknan Ardianwicaksono; Rizki Harmono Sejati, Irfanda
Jurnal Penelitian Musik Vol 4 No 2 (2023): August 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.42.04

Abstract

This study aims to explore and explain the process of arranging Keroncong in the song Widodari by Deny Caknan as well as the presence of local aesthetics and local wisdom in the arrangement. This study applies local theories of intelligence and musical arrangements. This study was designed using descriptive qualitative research methods as well as data collection, analysis, and conclusion procedures. The results show that Widodari's arrangement of Keroncong song contains local aesthetic elements, such as engkel musical concept, double concept and ngganduli vocal concept. In addition, the arrangement process also contains local wisdom values such as aspects of tolerance and mutual cooperation. Tolerance shows that no instrument is superior to another, everything must be in balance. Mutual cooperation is expressed through the intertwining of Keroncong instruments, which cannot work individually but complement each other.
HARMONY AND SCALE ANALYSIS GUITAR PLAYING OF THE SONG KROMATIK LAGI BY DEWA BUDJANA Firdaus, Taufiqurrihan; Rizki Harmono Sejati, Irfanda
Jurnal Penelitian Musik Vol 4 No 1 (2023): March 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.41.01

Abstract

This study aims to analyze the harmony and scales in guitar playing by Dewa Budjana in his work entitled Kromatik Lagi. The thing that is focused in this research is how tones that are outside the ionian scale can be included in an interesting work. The research method used is a qualitative method with an analytical description approach that refers to the Miles and Huberman model. The data collected is in the form of sheet music that will be discussed per beat and there are a total of 20 beats that include intro and theme. This research only examines the intro and theme sections. It can also be concluded that the work Kromatik Lagi by Dewa Budjana is not playing with origin. But based on some music theory so that it can include chromatic notes that are heard if played in sequence the tone sounds dissonant or disturbing.
Aransemen Keroncong Lagu Widodari Karya Denny Caknan Ardianwicaksono; Rizki Harmono Sejati, Irfanda
Jurnal Penelitian Musik Vol 4 No 2 (2023): August 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.42.04

Abstract

This study aims to explore and explain the process of arranging Keroncong in the song Widodari by Deny Caknan as well as the presence of local aesthetics and local wisdom in the arrangement. This study applies local theories of intelligence and musical arrangements. This study was designed using descriptive qualitative research methods as well as data collection, analysis, and conclusion procedures. The results show that Widodari's arrangement of Keroncong song contains local aesthetic elements, such as engkel musical concept, double concept and ngganduli vocal concept. In addition, the arrangement process also contains local wisdom values such as aspects of tolerance and mutual cooperation. Tolerance shows that no instrument is superior to another, everything must be in balance. Mutual cooperation is expressed through the intertwining of Keroncong instruments, which cannot work individually but complement each other.
Co-Authors Ardianwicaksono Firdaus, Taufiqurrihan Nurjanah, Putri Eka