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Analisis Semiotika: Makna Denotatif dan Konotatif dalam Film Spongebob Squarepants Episode 9 “Uh, Bulu Babi” Season 9 (Dubbing Bahasa Arab) Yaskur, Muhammad Yazid
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 16 No. 1 (2024)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v16i1.1375

Abstract

This research aims to analyze the semiotic meaning of denotative and connotative in the use of Arabic in the episode "Uh, Bulu Babi" from the animated series SpongeBob SquarePants. The research method used is qualitative using Roland Barthes' semiotic theory, namely "Two Order Signification" with the data collection process looking for SpongeBob videos on Netflix and YouTube that use Arabic dubbing. Data was collected using observation and note-taking data collection techniques. The results of the research show that the use of Arabic provides denotative meaning, while also generating connotative meaning based on context through semiotic analysis which is reflected in the facial expressions and intonation of the characters. This illustrates the flexibility of the meaning of Arabic as reflected in the film, as well as its use that we can find in everyday life.
Pandangan Dunia Diaspora Palestina–Lebanon dalam Puisi Li Bayrūt Masā’ al-Khayr Karya Marwan Makhoul (Kajian Strukturalisme Genetik) Yaskur, Muhammad Yazid; Asrina, Asrina
Sajak: Jurnal Penelitian dan Pengabdian Sastra, Bahasa, dan Pendidikan Vol. 5 No. 1 (2026): Februari 2026
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/s.2026.26355

Abstract

Contemporary Palestinian poetry represents diverse diasporic experiences shaped by specific social and historical contexts of displacement. One particularly distinctive context is the Palestinian diaspora in Lebanon, which has been profoundly shaped by the 1948 Nakba and prolonged structural marginalization across generations. The poem Li Bayrūt Masā’ al-Khayr by Marwan Makhoul reflects this condition through the symbolic articulation of a Palestinian–Lebanese identity within a single body. This study aims to examine the worldview of the Palestinian diaspora in Lebanon using a genetic structuralism approach. Employing a qualitative descriptive method, the research relies on library research and textual analysis of the poem’s lines. The findings reveal that the poem articulates a collective consciousness shaped by the trauma of the Nakba, a prolonged period of historical estrangement spanning from 1948 to the late twentieth century, and a generational crisis of orientation. Moreover, the poem expresses an anti-romantic stance toward suffering, signaling a new ideological consciousness that departs from earlier generations of Palestinian poetry that tended to aestheticize pain and heroic sacrifice. The study concludes that Li Bayrūt Masā’ al-Khayr functions as a medium for articulating a historically grounded, critical, and ethical collective worldview of the Palestinian–Lebanese diaspora. The implications of this research highlight the continued relevance of genetic structuralism in analyzing conflict poetry as a dialectical expression of literary structure, historical experience, and generational shifts in worldview.