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All Journal Jurnal Sastra Indonesia Persona: Kajian Bahasa dan Sastra
Yunisha, Rara
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Kekerabatan Bahasa Melayu Riau, Bahasa Minangkabau, dan Bahasa Batak Toba: Kajian Linguistik Historis Komparatif Yunisha, Rara; Ermanto, Ermanto
Persona: Kajian Bahasa dan Sastra Vol. 3 No. 2 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jpers.v3i2.214

Abstract

The research aims to achieve three main objectives. Firstly, it aims to determine the percentage of kinship between BMR, BM, and BBT. Secondly, it aims to determine the duration of separation between these three languages. And thirdly, it aims to describe the form of sound correspondence between them. The research methodology involves both qualitative and quantitative analysis. Qualitative analysis is utilized to describe sound correspondence, while quantitative analysis is employed to calculate the percentage of kinship and the duration of separation. Based on the findings of the data analysis, three conclusions can be drawn. Firstly, the percentage of kinship between BMR and BM is 87.5 percent, between BMR and BBT is 36 percent, and between BM and BBT is 35.5 percent. Secondly, the separation between BMR and BM occurred approximately 306 years ago, and the separation between BMR-BM and BBT occurred around 2,370 years ago starting from 2024. Lastly, sound correspondence was found in 120 vocabularies between BMR and BM, in 188 vocabularies between BMR and BBT, and in 156 vocabularies between BM and BBT out of the 500 research data instruments. In conclusion, the research establishes that BMR, BM, and BBT can be classified as a subfamily of Austronesian parent languages.
REPRESENTASI BUDAYA PATRIARKI DALAM FILM NGERI-NGERI SEDAP KARYA BENE DION RAJAGUKGUK Yunisha, Rara; Pangesti, Nesa Riska
JURNAL SASTRA INDONESIA (SASINDO) Vol 12, No 1 (2023): JURNAL SASTRA INDONESIA (SASINDO) EDISI APRIL
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/sasindo.v12i1.44875

Abstract

AbstrakArtikel ini bertujuan untuk merepresentasikan budaya patriarki yang terdapat dalam film Ngeri-ngeri Sedap karya Bene Dion Rajagukguk. Penelitian ini menggunakan teori semiotika dengan pendekatan kualitatif untuk memahami makna budaya patriarki dalam film Ngeri-ngeri Sedap. Sumber penelitian ini adalah film Ngeri-ngeri Sedap dan sumber bacaan yang mendukung data, seperti informasi dari buku-buku dan jurnal yang berkaitan dengan penelitian ini. Hasil penelitian ini berupa kumpulan deskripsi budaya patriarki dalam film Ngeri-ngeri Sedap karya Bene Dion Rajagukguk.Kata kunci : Patriarki, Ngeri-ngeri Sedap, Batak. AbstractThis article aims to represent the patriarchal culture found in the movie Ngeri-ngeri Sedap by Bene Dion Rajagukguk. This research uses semiotic theory with a qualitative approach to understand the meaning of patriarchal culture in Ngeri-ngeri Sedap movie. The sources of this research are Ngeri-ngeri Sedap movie and reading sources that support the data, such as information from books and journals related to this research. The result of this research is a collection of descriptions of patriarchal culture in the movie Ngeri-ngeri Sedap by Bene Dion Rajagukguk.Keywords : Patriarchy, Ngeri-ngeri Sedap, Batak.
Co-Authors . Ermanto Nesa Riska Pangesti