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All Journal Journal of Visual Art and Design Panggung
Ardini, Sasanti Puri
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Arts Humanities Education

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ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ATUMICS Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33, No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Abstract

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics
Crafting the Future: A Sustainable Practice of Endek Woven Cloth in Jinengdalem Village, Buleleng District, Bali Province, Indonesia Arfan, Nadia; Widiawati, Dian; Ardini, Sasanti Puri
Journal of Visual Art and Design Vol. 16 No. 2 (2024): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2024.16.2.2

Abstract

While Endek cloth weaving Bali is a long-standing tradition for Balinese people, there is currently an urgency to achieve sustainability. The concern of addressing environmental aspects makes traditional clothing more relevant to the present and future. This paper aims to connect Balinese Endek weaving with natural dyes to preserve the tradition and adapt it to today’s needs. Implementing a participatory approach and collaborating with Poni Songket, the weaver’s community and SME in the Buleleng district of Bali province, this research developed state-of-the-art innovative designs for Balinese Endek weaving by utilizing local potentials such as traditional architecture (paddy and paddy barns) as inspiration for the designs and local natural dyes from the surrounding area for colorization of the fabric. These practices will open advanced opportunities to enhance the community’s economic perspective and expand their knowledge to support sustainable purposes of Indonesia Emas 2045 and the Sustainable Development Goals (SDGs) of the UN.
ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ‘ATUMICS’ Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Abstract

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics
Co-Authors Arfan, Nadia Dian Widiawati Winata, Gita