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All Journal Ekspresi dan Persepsi : Jurnal Ilmu Komunikasi
Auliana, Irvanti
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Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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The Representasi Rekayasa Sosial dalam Film Unlocked (Analisis Semiotika Roland Barthes) Azwar, Azwar; Auliana, Irvanti
EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI Vol 7 No 1 (2024): January
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Pembangunan Nasional Veteran Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33822/jep.v7i1.7186

Abstract

This research is about the representation of social engineering in the film "Unlocked" using Roland Barthes' semiotics. This study aims to understand how social engineering is represented in the film "Unlocked." The research employs a descriptive qualitative method. The researcher collected data by analyzing film scenes that exhibit signs of social engineering. Data analysis was conducted using Roland Barthes' semiotic approach, complemented by Stuart Hall's representation theory. The results were drawn through triangulation techniques. The findings of this research indicate that "Unlocked" represents social engineering in the following forms: the denotative meaning of "Unlocked" represents social engineering as a criminal act carried out without a specific motive. The connotative meaning of "Unlocked" represents social engineering as this criminal act is executed through a series of staged patterns, starting from gathering victim information, developing relationships with the victim, exploiting the victim's information, launching an attack on the victim, and requiring professional assistance to complete the process. Victims of this crime are more vulnerable if they have low digital literacy. The mythic meaning in the film "Unlocked" represents social engineering as something that requires a work ethic such as discipline, consistency, and a refusal to back down in achieving its goals.    
Co-Authors Azwar, Azwar