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Pesan Dakwah dalam Musik Reggae: Analisis Musik Islami Alpha Blondy M. Ibnu Naufal Maskuri
Panangkaran: Jurnal Penelitian Agama dan Masyarakat Vol. 6 No. 2 (2022)
Publisher : LP2M UIN Sunan Kalijaga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/panangkaran.v6i2.2918

Abstract

Music is an art that can be used to communicate with audiences and listeners quite effectively. This study tries to elaborate the message of Islamic da'wah carried out by Alpha Blondy in musical works through the lyrics of the song Seba Allah Y’E. The research approach used in this study is based on the content analysis theory of Harold D. Laswell. That is a method of in-depth analysis of data that has been written or printed on the mass media. In this content analysis explore the message of Islamic da'wah from the lyrics of the song Seba Allah Y’E. The results of the study show that the reggae music sung by Alpha Blondy is far from the bad stigma of society in general, so this music can be an option for listening to Islamic da'wah communications about the benefits of monotheism rububiyah, uluhiyah and asma wa sifat that covered in the lyrics of the song Seba Allah Y’E. [Musik adalah seni yang dapat digunakan untuk berkomunikasi dengan para penonton dan para pendengar secara cukup efektif. Penelitian ini mencoba untuk mengidentifikasi dan menjelaskan pesan dakwah islami yang dilakukan oleh Alpha Blondy dalam karya seni musik melalui lirik lagu Seba Allah Y’E. Adapun Pendekatan penelitian yang digunakan dalam penelitian ini adalah didasarkan pada teori analisis isi Harold D. Laswell. Yaitu sebuah metode analisis yang bersifat mendalam mengenai data yang telah ditulis atau dicetak pada media massa. Dalam proses analisis isi, penulis mencoba mengelaborasi pesan dakwah Islam dari lirik lagu Seba Allah Y’E. Hasil dari penelitian menunjukan bahwa musik reggae yang dilantunkan oleh Alpha Blondy jauh dari stigma buruk masyarakat pada umumnya, sehingga musik ini dapat menjadi opsi untuk mendengarkan komunikasi dakwah tentang manfaat tauhid rububiyah, uluhiyah dan asma wa sifat yang dikandung dalam lirik lagu Seba Allah Y’E.]
Gender Equality Representation in the Movie Avatar the Last Airbender M. Ibnu Naufal Maskuri; Angella Dias Paramitha
Panangkaran: Jurnal Penelitian Agama dan Masyarakat Vol. 8 No. 2 (2024)
Publisher : LP2M UIN Sunan Kalijaga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/panangkaran.v8i2.3862

Abstract

The film industry is often considered as a mere entertainment medium, but the reality is that today's films are a communication medium that contains many representations of real-world life portraits, one of which is the topic of gender equality. Gender equality and the feminist movement have always had a place in the world of film, but there is still a stigma that women who only rely on their appearance or physique will be more dominantly displayed than women with good acting skills in the entertainment world. As the largest animation company in the world, Disney also released a film that also voiced gender equality through the film Avatar the Last Airbender through scenes and Katara characters in the film. The purpose of this study is to determine and understand the representation of the message of gender equality contained in the film Avatar the Last Airbender based on the scalpel approach of Roland Bartes' semiotic theory with 3 elements of meaning, namely denotation, connotation and myth. This study found that in the film Avatar the Last Airbender through dialogues and images there is a message about equality represented by the character Katara both in terms of connotation, denotation and myth. Katara as a female character in the film emphasizes the character of a woman who is brave, intelligent and does not want to be underestimated. Seen through the character of Katara in the scene leading to the practice of voicing and representing the importance of gender equality to be voiced in community life. [Industri perfilman sering dianggap sebagai media hiburan semata, namun realitanya saat ini film merupakan media komunikasi yang memuat banyak representasi potret kehidupan dunia nyata salah satunya topik mengenai kesetaraan gender. Kesetaraan gender dan gerakan feminisme selalu mendapat tempat didunia perfilman namun masih ada stigma bahwa perempuan hanya mengandalkan rupa atau fisik akan lebih dominan sering ditampilkan dibandingkan perempuan yang kemampuan aktingnya baik dalam dunia hiburan. Sebagai perusahaan animasi terbesar di dunia Disney juga merilis film yang ikut menyuarakan mengenai kesetaraan gender melalui film Avatar the Last Airbender melalui adegan-adegan dan tokoh Katara dalam film know know. Tujuan dari penelitian ini adalah untuk mengetahui dan memahami representasi pesan kesetaraan gender yang terdapat pada film Avatar the Last Airbender berdasarkan pendekatan pisau bedah teori semiotika Roland Bartes dengan 3 elemen makna yaitu denotasi, konotasi dan mitos. Penelitian ini menemukan bahwa dalam film Avatar the Last Airbender melalui dialog-dialog serta gambar adanya pesan mengenai kesetaraan yang diwakili oleh tokoh Katara baik secara konotasi, denotasi dan mitos. Katara sebagai tokoh perempuan dalam film menonjolkan karakter perempuan yang berani, cerdas serta tidak ingin dipandang sebelah mata. Terlihat melalui tokoh katara dalam adegan mengarah kepada praktik pada aksi menyuarakan serta merepresentasikan akan pentingnya kesetaraan gender untuk disuarakan dalam kehidupan bermasyarakat.]
BUILDING POLITE DA’WAH: ETHICS AND BOUNDARIES OF JOKING IN CONVEYING RELIGIOUS MESSAGES M. Ibnu Naufal Maskuri
QAULAN: Journal of Islamic Communication Vol. 6 No. 1 (2025): Qaulan: Journal of Islamic Communication
Publisher : UIN Kiai Ageng Muhammad Besari Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The use of humor in da'wah has become increasingly common across various platforms such as sermons, social media, and podcasts, particularly in engaging younger audiences. While humor can enhance audience engagement, its use requires careful consideration to avoid diminishing the sacredness of religious messages or offending certain groups. This study aims to explore the ethical boundaries of humor in da'wah and its impact on the comprehension and acceptance of religious messages. Employing a literature review method, the study draws on the perspectives of religious scholars such as Imam Al-Ghazali and communication theorists like Marshall McLuhan. The findings indicate that humor, when aligned with Islamic values, can serve as an effective tool to build rapport between preachers and audiences. However, it is essential to maintain a balance between humor and the seriousness of da'wah to ensure the religious message remains clear and respectful. This study underscores the importance of using humor wisely to enhance the effectiveness of da'wah in an increasingly digital era. Keywords: Humor in Da'wah; Ethics of Joking; Religious Messages