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All Journal Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan
Afrilia, Eza
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Arts Humanities Education Other

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The Form of Presentation of Ngadu Tanduk Dance in Siulak Panjang Village, Siulak District, Kerinci Regency, Jambi Afrilia, Eza; Asriati, Afifah
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.94

Abstract

This article aims to analyze the presentation of the Ngadu Horn Dance in Siulak Panjang Village, Siulak District, Kerinci District, Jambi. The type of research used in this study is qualitative research with descriptive methods. The research instrument used in this study was the researcher himself who was assisted by supporting instruments such as stationery, cameras and flash drives. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. Stages of data analysis in the form of data collection, data reduction, data presentation and concluding data. Based on the results of the study, it can be concluded that the presentation of the Ngadu Tanduk Dance in Siulak Panjang Village, Siulak District, Kerinci Regency, Jambi, was held at a wedding reception. This dance is presented to welcome the bride and groom. The form of presentation of the motion includes Representational. The movements consist of worshiping movements, buffalo movements looking for opponents and horn horning movements. The Ngadu Tanduk dance is danced by 2 men, wearing black and gold clothes, Teluk Belango clothes, trousers, songket, belts and laca. The musical instruments used are Dap (tambourine), gong, gong reed, and nyaro (vocals). The presentation of the Ngadu Horn Dance uses a horn property made of bamboo slats measuring about 2 meters which resembles a buffalo horn with a framework wrapped in black, red, yellow and white cloth. The presentation of the Ngadu Tanduk Dance is carried out in an open courtyard with the dancers facing the bride and groom.
Co-Authors Muhammad Afif