Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Janaru Saja : Jurnal Program Studi Sastra Jepang
Seranting, Nadia Kembang
Unknown Affiliation
Humanities Languange, Linguistic, Communication & Media Other

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Representasi Budaya Patriarki Dalam Drama “Higanbana: Keishichou No Sousa Nanaka” (Taro Otani, 2016) Seranting, Nadia Kembang; Muhlisian, Asep Achmad
Janaru Saja: Jurnal Program Studi Sastra Jepang (Edisi Elektronik) Vol 12 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v12i2.8343

Abstract

Patriarchy is a social system that places men the main power holders. The purpose of this research is to represent patriarchal culture in the drama “higanbana: keishichou no sousa nanaka”. This research is a qualitative descriptive research using data analysis study techniques. The data analysis method using Roland Barthes theory of semiotics with the data source is drama “higanbana: keisichou no sousa nanaka”. The result of the analysis show that in the drama “higanbana: keishichou no sousa nanaka” in the dialogue and scenes it is seen that women are constructed to become human number two. This is illustrated by some coversations that suggest men have a control over woman. Patriarchal representation appears in four areas, namely, women’s productive power & labor, women’s reproduction, control ever women’s sexuality and women’s movement/mobility. Women are not given the freedom and the right to choose as they wish. Keywords: representation, patriarchy, Roland Barthes’ semiotics
Co-Authors Asep Achmad Muhlisian