Moh Atikurrahman
Unknown Affiliation

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

Ikonitas Perempuan dalam Tayangan Horor Indonesia: Telaah Semiotika pada Poster Filem 2022-2023 Fadia Finta; Moh Atikurrahman
MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 6 No. 02 (2023): Desember 2023
Publisher : Indonesian language and literature education program Majapahit Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36815/matapena.v6i02.2770

Abstract

This article aimed to investigate the sign system in Indonesian horror film posters throughout the years 2022-2023. Over the past two years, an intriguing trend emerged in relation to horror films in Indonesia, wherein iconicity involving women became the representamen of the sign system within a film poster. The research methodology used was qualitative description, with Indonesian horror films from the years 2022-2023 serving as the data source. To comprehend the meanings encapsulated within the latest Indonesian horror film posters, Charles Sanders Peirce's paradigm on signs was adopted as a reference to understand the research material – the Indonesian horror film posters from 2022-2023. The research results showed that the representation of meaning in the Indonesian horror film posters from 2022-2023, which were employed as icons within their posters, centered around women. In terms of color selection for the letters in the posters, the use of red was notable, symbolizing the color of blood. Keywords: poster, women, Indonesian horror films, Peirce
Reimagining textuality: Digital convergence and literary adaptation in Indonesia Moh Atikurrahman
Lingua Technica: Journal of Digital Literary Studies Vol. 1 No. 1 (2025): Literary engagement in the digital age: Interfaces, interactions, and imaginati
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v1i1.30

Abstract

This article explores the multimodal circulation of Indonesian literary texts through television and digital adaptations, focusing on their implications for the conceptualization and cultural valuation of literature in the digital age. The technological boom and evolving reading practices have shaped how literature is disseminated, especially through intersemiotic media platforms. Drawing on theories of cyberculture and media convergence (David Bell dan Tim Dwyer), this study analyzes examples such as the adaptation of Laskar Pelangi by Andrea Hirata into film and television, Bumi Manusia by Pramoedya Ananta Toer into cinema, and Tenggelamnya Kapal Van Der Wijck by Hamka into both screen and digital fandoms. These cases reveal a cultural ecosystem in which television, internet platforms, and user-generated content converge to sustain literary texts and cultivate new modes of engagement. The shift from print-centered authority to interactive and collaborative reinterpretation challenges traditional notions of originality and authorship while expanding access to literature across social strata.
Penggambaran Kota Surabaya dalam Retno Si Cabe Rawit Karya Suwignyo Adi: Kajian Sastra Perjalanan Carl Thompson Yamema Lovela Septiara; Ema Haryani; Moh Atikurrahman
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 2 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i2.5692

Abstract

Tujuan penelitian ini adalah untuk menggambarkan kota Surabaya dalam objek penelitian dengan kajian sastra perjalanan Carl Thompson. Sumber data penelitian adalah novel Retno Si Cabe Rawit karya Suwignyo Adi yang terbit pada tahun 1996 dengan 118 halaman. Metode analisis yang digunakan adalah metode deskriptif kualitatif dengan teknik baca catat. Hasil penelitian menunjukkan bahwa terdapat konsep sastra perjalanan Carl Thompson dalam novel Retno Si Cabe Rawit yang terdiri dari reporting the world, revealing the self, dan representing the other. Reporting the world menunjukkan penggambaran secara objektif dan subjektif dengan menunjukkan beberapa tempat yang terdapat di Surabaya. Revealing the self menunjukkan respons ketakutan yang dirasakan oleh tokoh saat berada di Surabaya. Representing the other menunjukkan adanya perbedaan antara Surabaya dengan tempat asal dalam konteks sosial, budaya, dan lingkungan. Hal ini dapat menjadi kontribusi baru terhadap kajian sastra perjalanan secara sistematis.