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Penyuluhan Pengelolaan dan Pembuatan Sampah Organik Menjadi Pupuk Kompos Ardianty, Septi; Sari, Andri Purnama; Kusman, Putri Febriyanti; Malika, Fatatun; Wulandari, Feno Suci; Putri, Febrina Sari; Oktapiani, Tiara; Tiara, Tiara; Ariyanti, Yeni; Lestari, Santi; Williansyah, Nanda
Journal of Community Development Vol. 5 No. 1 (2024): August
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/comdev.v5i1.175

Abstract

The living environment is a unity of space and all objects, forces, conditions and living creatures, including humans and their behavior. Waste in Indonesia has an unresolved problem, as the population increases, the amount of waste produced by human activities also increases, so education is needed for the public. Education is any planned effort to influence other people, whether individuals, groups or society, so that they do what is expected by educational practitioners. In relation to waste management education for the community, it is hoped that the public will know about waste management using the 3R approach, namely reduce, reuse, recycle, in this case the most emphasized is waste management by composting. This community service is carried out to increase public knowledge regarding waste management by reducing, reusing, recycling. This community service uses pre-test and post-test methods, also using education and demonstrations about waste management. The results obtained from this community service were that the community experienced an increase in knowledge after being given health education and demonstrations about waste management. Those who were given the education looked very enthusiastic and had a high level of curiosity because the people who were given the education provided feedback, namely by answering questions from the community service team and the community also learned about how to manage waste by composting it. Based on the results of outreach activities to the community about how to manage waste and the dangers of burning waste by burning it as well as a demonstration of making organic waste into compost, public knowledge has increased
Impoliteness Strategies Reflected in Kingdom of the Planet of the Apes (2024) Movie Agustian, Aris; Fikri, Lazuardi Alvar; Ferdian, Firgi; Marlizah, Sharla; Zega, Darmawati; Oktapiani, Tiara
Lexeme : Journal of Linguistics and Applied Linguistics Vol. 8 No. 1 (2026): JANUARY 2026
Publisher : Universitas Pamulang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32493/ljlal.v8i1.55588

Abstract

Language is a mirror of social life and power relations. In film discourse, verbal interaction not only delivers narrative meaning but also exposes ideological and emotional conflicts among characters. This study investigates the impoliteness strategies reflected in Kingdom of the Planet of the Apes (2024), using Culpeper’s (1996) theory as its main analytical framework. The research applies a qualitative descriptive approach to identify and interpret the forms and functions of impoliteness strategies used by the main characters, particularly Proximus Caesar, Noa, and Mae. The data are taken from the movie script and analyzed contextually to reveal the pragmatic functions of language. The findings indicate that all five types of impoliteness strategies proposed by Culpeper appear in the movie: bald on-record impoliteness, positive impoliteness, negative impoliteness, sarcasm or mock politeness, and withholding politeness. Each strategy performs different communicative roles such as asserting dominance, challenging authority, expressing resistance, and conveying emotional conflict. The study concludes that impoliteness in this film serves not only as an instrument of verbal aggression but also as a symbolic tool for establishing ideological power, resistance, and social identity in a post-apocalyptic society. Furthermore, the findings imply that analyzing impoliteness in fictional narratives offers critical insights into the dynamics of power and resistance, bridging the gap between cinematic discourse and real-world sociopolitical interactions.