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Indigenous Eco-feminism in Kalitanjung Kejawen People as an Alternative to Preserve the Nature Putra, Aqiel Sifa’ Abdallah; Lutfi, Mutohar
Jurnal Dialog Vol 46 No 2 (2023): Dialog
Publisher : Sekretariat Badan Moderasi Beragama dan Pengembangan Sumber Daya Manusia (BMBPSDM) Kementerian Agama RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47655/dialog.v46i2.730

Abstract

Indigenous religions recognize the importance of natural elements in their lives, embodying traditional ecofeminism. Consequently, they bear the responsibility for properly maintaining and safeguarding nature to prevent damage or exploitation. Moreover, Indigenous Peoples, united in their efforts to protect nature, are inseparable from the crucial role and encouragement provided by remarkable indigenous women, such as those within the Kejawen Kalitanjung Banyumas Indigenous People. The concept of Indigenous Eco-feminism significantly influences the development of the Kejawen community. To support this research, qualitative methods with an emphasis on field research are employed. The primary method of direct data collection involves interviews with sources from traditional Kejawen Kalitanjung community leaders, complemented by documentation. Thus, the indigenous women of the Kejawen Kalitanjung community play diverse roles, actively participating and leading in the protection of their nature as a cohesive whole.
Cultural Harmonization: Religious and Inter-Cultural Relations in Calengsai Arts Abdallah Putra, Aqiel Sifa'; Lutfi, Mutohar; Fiani , Okta; Prakoso, Rico Anggit
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.3114

Abstract

The existence of Indonesian cultures and arts are rich in thought that is extraordinary to be explored, one of them is the typical Banyumas performance art, namely Calengsai (Calung, Lengger, and Barongsai), which is a local wisdom with a myriad of exploration sides for the people. This research tries to re-explore a Calengsai from the perspective of religious and intercultural relations, which mostly previous researchers only focus on the cultural and tourism aspects. This re-exploration of religious and intercultural studies is focus on model of cultural harmonization which purposed to break the conflict in the inter-cultural aspect that exist in Calengsai. The descriptive qualitative analysis is applied on this research to help the researchers to explore the evidence of the data which taken from the field collection. The study finds that Calengsai acts as a ‘third space’ of cultural hybridity where Javanese and Chinese traditions met through shared spiritual rituals, offering a scientific contribution to postcolonial and symbolic-interactionist scholarship by revealing how art creates new intercultural meanings.