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All Journal ESTETIK : Jurnal Bahasa Indonesia Pantun: Jurnal Ilmiah Seni Budaya
Irianto, Adhy Pratama
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Religion Arts Humanities Education Social Sciences

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Minimalist Art and the Iconization of Trees in Waiting for Godot Irianto, Adhy Pratama; Timmerman, Benny Yohanes; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3273

Abstract

The minimization of performance art is aimed at presenting human darkness and innocence in a philosophical interpretation. This is what Samuel Beckett presented in his 1953 performance Waiting for Godot. Art minimization makes the number of props less, but is able to visualize the desired thematic of the script. This minimalism, which is supposed to display simplicity, becomes more luxurious due to the presence of iconic things from absurd performances. In the midst of the minimalist, gloomy, and arid decorations in Waiting for Godot, the tree becomes the center of attention. This tree becomes something very iconic and will strongly remind the audience of the show. The process of something becoming iconic is called iconization, which is a deliberate process. Beckett allegedly deliberately iconizes the tree, with a number of realities in the text (textual) and the reality of the performance (atmospheric). This iconization and minimization is intended to make the performance more basic and simple, less philosophical and metaphysical. This article is the result of an analysis of several texts written by Samuel Beckett.
Dekulturasi Budaya Yunani dalam Anthropodipus Adaptasi Oedipus di Colonus oleh Iswadi Pratama Irianto, Adhy Pratama
ESTETIK : Jurnal Bahasa Indonesia Vol. 7 No. 1 (2024)
Publisher : Institut Agama Islam Negeri (IAIN) Curup

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29240/estetik.v7i1.7809

Abstract

Iswadi Pratama, founder and artistic director of Teater Satu Lampung is an artist that focused to study two art disciplines at once, literature and theatre. His works are full of ideological criticism and responses to the political situation and the surrounding environment. In the show entitled Anthropodipus, Iswadi Pratama performs an intertextual interpretation and rewriting of the text Oedipus in Colonus by Sophocles with several anthropological approaches in artistic visualization, decoration, props, costumes, music, make-up, characterizations, and choreography. This paper aims to examine creativity and innovation based on Iswadi Pratama's artistic work with members of the Lampung Satu Theater in translating the Oedipus text in Colonus into Anthropodipus. The results of acculturation of various cultures in the creation of Anthropodipus' works resulted in the deculturation of Greek culture in the hypogram text. This makes the show held by Teater Satu Lampung unique and reflects Iswadi Pratama's artistic passion and innovation. The deculturation is intended to make works written before this Christian era closer to the audience in 2018 when this stage is being held. As a result, this stage received a positive response when it was staged in Lampung, Padang Panjang, and Jakarta from the number of viewers and the show's reviews from critics.
Minimalist Art and the Iconization of Trees in Waiting for Godot Irianto, Adhy Pratama; Timmerman, Benny Yohanes; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3273

Abstract

The minimization of performance art is aimed at presenting human darkness and innocence in a philosophical interpretation. This is what Samuel Beckett presented in his 1953 performance Waiting for Godot. Art minimization makes the number of props less, but is able to visualize the desired thematic of the script. This minimalism, which is supposed to display simplicity, becomes more “luxurious” due to the presence of iconic things from absurd performances. In the midst of the minimalist, gloomy, and arid decorations in Waiting for Godot, the tree becomes the center of attention. This tree becomes something very iconic and will strongly remind the audience of the show. The process of something becoming iconic is called iconization, which is a “deliberate” process. Beckett allegedly deliberately iconizes the tree, with a number of realities in the text (textual) and the reality of the performance (atmospheric). This iconization and minimization is intended to make the performance more basic and simple, less philosophical and metaphysical. This article is the result of an analysis of several texts written by Samuel Beckett.
Co-Authors Sukmawati Saleh Timmerman, Benny Yohanes