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All Journal Pantun: Jurnal Ilmiah Seni Budaya Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan
Irianto, Adhy Pratama
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Arts Humanities

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REDEFINISI TEATER ABSURD BERDASARKAN TEORI PARABOLIC DRAMA MICHAEL Y. BENNETH Adhy Pratama Irianto; Jaeni; Sukmawati Saleh
Jurnal Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan Vol. 2 No. 1 (2023): Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

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Abstract

Penelitian ini bertujuan untuk meredefinisikan teater absurd yang didasari pada pandangan Martin Esslin dalam buku yang berjudul The Theatre of The Absurd (1961). Tujuan dari penelitian ini adalah menawarkan tafsir alternatif di tengah polemik tentang terminologi teater absurd. Objek formal yang digunakan dalam penelitian ini adalah teori Parabolic Drama Michael Y. Benneth. Metode penelitian yang digunakan adalah metode kualitatif dengan pendekatan deskriptif-analitik. Kesimpulan yang dihasilkan dari penelitian ini adalah reinterpretasi absurdisme Camus dan Ionesco dapat memberikan perpektif baru atas definisi teater absurd yang memiliki nada yang optimistik.
Minimalist Art and the Iconization of Trees in Waiting for Godot Irianto, Adhy Pratama; Timmerman, Benny Yohanes; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3273

Abstract

The minimization of performance art is aimed at presenting human darkness and innocence in a philosophical interpretation. This is what Samuel Beckett presented in his 1953 performance Waiting for Godot. Art minimization makes the number of props less, but is able to visualize the desired thematic of the script. This minimalism, which is supposed to display simplicity, becomes more luxurious due to the presence of iconic things from absurd performances. In the midst of the minimalist, gloomy, and arid decorations in Waiting for Godot, the tree becomes the center of attention. This tree becomes something very iconic and will strongly remind the audience of the show. The process of something becoming iconic is called iconization, which is a deliberate process. Beckett allegedly deliberately iconizes the tree, with a number of realities in the text (textual) and the reality of the performance (atmospheric). This iconization and minimization is intended to make the performance more basic and simple, less philosophical and metaphysical. This article is the result of an analysis of several texts written by Samuel Beckett.
Minimalist Art and the Iconization of Trees in Waiting for Godot Irianto, Adhy Pratama; Timmerman, Benny Yohanes; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3273

Abstract

The minimization of performance art is aimed at presenting human darkness and innocence in a philosophical interpretation. This is what Samuel Beckett presented in his 1953 performance Waiting for Godot. Art minimization makes the number of props less, but is able to visualize the desired thematic of the script. This minimalism, which is supposed to display simplicity, becomes more “luxurious” due to the presence of iconic things from absurd performances. In the midst of the minimalist, gloomy, and arid decorations in Waiting for Godot, the tree becomes the center of attention. This tree becomes something very iconic and will strongly remind the audience of the show. The process of something becoming iconic is called iconization, which is a “deliberate” process. Beckett allegedly deliberately iconizes the tree, with a number of realities in the text (textual) and the reality of the performance (atmospheric). This iconization and minimization is intended to make the performance more basic and simple, less philosophical and metaphysical. This article is the result of an analysis of several texts written by Samuel Beckett.
Co-Authors Jaeni Sukmawati Saleh Sukmawati Saleh Timmerman, Benny Yohanes