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All Journal JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Wahid, As Sauti
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Religion Arts Humanities Social Sciences

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BISNIS KALIGRAFI DALAM TINJAUAN EKONOMI ISLAM Mulyadi, Mulyadi; Wahid, As Sauti
Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v2i1.130

Abstract

Calligraphy is part of Islamic art. Its appearance coincided with the spread of Islam in the ignorant Arab society until it spread to various parts of the world. Art that emerged as a result of Islamic civilization basically has a high meaning and value. Calligraphy is a work that has meaning because the work is an expression of divinity which is abstract in nature. Thus, calligraphy contains a communication between the artist and the Creator which is interpreted through expressions in painting or writing calligraphy from revelation (the Koran). In completing this study, researchers used the method of literature study. Literature study is a series of activities related to methods of collecting library data, reading and taking notes, and managing research materials. In running this business, calligraphy craftsmen are also oriented not only to seek worldly benefits but also to seek the pleasure of Allah SWT, calligraphy craftsmen have carried out several principles of Islamic economics, including the principles of divinity, justice, responsibility, and truth
JENIS-JENIS KALIGRAFI PADA DINDING-DINDING MASJID Zamzam, Ruwiyah; Wahid, As Sauti
Jurnal Ekshis Vol 2 No 2 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v2i2.273

Abstract

Calligraphy is an art in writing that produces beautiful writings. Calligraphy is nothing new especially in Islam. Calligraphy in Islam is used to write verses of the Quran in Arabic. In Arabic, calligraphy is known as Khat. Calligraphy consists of eight types, namely Tsulus, Naskhi, Farisi (Ta'liq), Diwani, Diwani Jali, Riq'ah, Ijazah, and Kufi. The purpose of this study was to find out which type of khat is used on the walls of mosques as decoration. This research uses the Library Research method or literature study. The data obtained is then analyzed by descriptive analysis. Of the eight types of khat, there are two types that are often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat. Often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat.often used as mosque wall decorations, namely Naskhi and Kufi styles. The use of these two types of khat is due to their beautiful and simple shapes compared to other types of khat.    
Co-Authors Mulyadi Mulyadi Zamzam, Ruwiyah