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All Journal Jurnal Kajian Seni Paradigma: Jurnal Kajian Budaya
Wibowo, Angga Febri
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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AESTHETIC DIMENSION OF BEDHAYA ANGLIRMENDHUNG DANCE: QUALITY OF DANCER STUDY BASED ON SERAT KRIDHWAYANGGA Wibowo, Angga Febri; Pramutomo, R.M.; Sriyadi, Sriyadi
Jurnal Kajian Seni Vol 10, No 1 (2023): Jurnal Kajian Seni Vol 10 No 1 November 2023
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.86905

Abstract

Dancers play a significant role in determining the success of a dance performance. The dancer's body serves as a medium of expression to convey the choreographer's ideas and concepts, which can be enjoyed and critiqued by the audience. Therefore, dancers are expected to possess the skill to implement forms and techniques of movement. In Javanese dance, there are various aesthetic concepts related to the quality of the dancer as a performer. The Serat Kridhwayangga expresses aesthetic concepts related to the qualification of character types and movement styles used. This article aims to present the aesthetic dimension of Bedhaya Anglirmendhung dance at Pura Mangkunegaran based on the perspective of the Serat Kridhwayangga. Through this, it is hoped to demonstrate the quality of the dancer as one of the aesthetic standards in presenting Bedhaya Anglirmendhung dance. As a cultural heritage, Bedhaya Anglirmendhung naturally possesses high aesthetic standards, one of which is the dimension of the dancer as a performer. This research adopts an ethnochoreological approach with qualitative research design. Data collection techniques mainly involve literature review. The research findings indicate that Bedhaya Anglirmendhung dance, based on the Serat Kridhwayangga, belongs to the wanodya character type with the patrap beksa pucang kanginan. The wanodya character type has normative rules related to the positions and forms of movements for the head, arms, torso, and legs. Therefore, in order to achieve aesthetic quality in the presentation of Bedhaya Anglirmendhung dance, dancers must possess the skills necessary to implement these positions and forms of movements.
THE DIALECTICS OF PRESERVATION AND RENEWAL IN TRADITIONAL DANCE: <i>BEDHAYA SAPTONGKARA</i> AS A DEVELOPMENT OF THE BEDHAYA GENRE Syahrial, Syahrial; Sriyadi, S.; Wibowo, Angga Febri
Paradigma: Jurnal Kajian Budaya Vol. 16, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bedhaya is a traditional Javanese court dance that embodies ethical, aesthetic, and sacred values. Following Indonesia’s independence, restrictions on its performance gradually eased, allowing the dance to be presented beyond the court and fostering its development within arts education. This shift generated a dialectic between cultural preservation and creative innovation, exemplified by Bedhaya Saptongkara, which integrates Balinese dance elements into the Javanese framework to produce an innovative form. Using a choreological approach and comparative method, this study reveals that although Bedhaya Saptongkara retains core principles of bedhaya, it does not fully adhere to the classical structure. Instead, it occupies the category of bedhayan, a derivative genre that reinterprets bedhaya principles within a new creative context. These findings affirm that tradition and innovation are not mutually exclusive; renewal can broaden cultural relevance while maintaining aesthetic roots
Co-Authors R.M. Pramutomo S Sriyadi SYAHRIAL SYAHRIAL