Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Solo International Collaboration and Publication of Social Sciences and Humanities Karunia: Jurnal Hasil Pengabdian Masyarakat Indonesia
Tania Salsabela
Unknown Affiliation
Agriculture, Biological Sciences & Forestry Humanities Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Pelatihan Kerajinan Macrame dalam Pengembangan Seni Kerajinan dan Peluang Usaha Fitriatun Fitriatun; Tania Salsabela; Lathifa Nony; Anggun Anggita; Devi Widiana
Karunia: Jurnal Hasil Pengabdian Masyarakat Indonesia Vol. 3 No. 2 (2024): Juni : Jurnal Hasil Pengabdian Masyarakat Indonesia
Publisher : Fakultas Teknik Universitas Maritim AMNI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58192/karunia.v3i2.2203

Abstract

Training is an activity to improve a person's work ability in relation to economic activities. Training helps an employee understand the knowledge an organization needs to achieve its goals. Macrame craft making training was held on Saturday 20 April 2024 at Johar Market, Semarang. This service aims to provide training and utilize handicraft products into decorative products that can support welfare, namely having additional income. The method used in this training is to use theoretical methods and practical methods. Before being given material by the resource person, it was known that the Macrame Craft training participants were dominated by women. Apart from that, based on the pre-test and post-test distributed to members, it is known that the training participants already know enough about macrame.
Representing Sexual Violence in Indonesian Cinema: A Semiotic Analysis of Woman From the Rote Island Tania Salsabela; Hetty Catur Ellyawati
Solo International Collaboration and Publication of Social Sciences and Humanities Vol. 4 No. 02 (2026): Solo International Collaboration and Publication of Social Sciences and Humani
Publisher : Walidem Institute and Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61455/sicopus.v4i02.534

Abstract

Objective: This study aims to critically examine how the representation of sexual violence against women is constructed in the film Woman from the Rote Island through the analysis of denotative, connotative, and mythological meanings. The main focus is to reveal the social messages, ideologies, and positions of women in patriarchal power relations represented by cinema. Thus, the research is directed to assess the role of film as a medium of social criticism and shaping public awareness. Theoretical framework: This study uses Roland Barthes' semiotic theory, which emphasizes the meaning of denotation, connotation, and myth. This framework is used to read signs and symbols in movies. With this approach, patriarchal ideology can be critically analyzed. Literature review: A literature review discusses research on women's representation and sexual violence in film media. Previous studies have shown that movies can reinforce or challenge patriarchal values. This literature became the basis for placing film as part of social discourse. Methods: The method used is qualitative descriptive with semiotic analysis. Data is obtained from scenes, dialogue, and visual symbols in the film. The analysis was carried out by relating the findings to three levels of Barthes' meaning. Results: The results of the study show that films represent women as victims of physical, psychological, and social violence, as well as subjects who have courage and moral strength. On a connotative and mythological level, the film deconstructs the myth of women's honor shaped by patriarchy. The film's narrative emphasizes that sexual violence is a violation of humanity, not a disgrace to the victim. Implications: This study shows that film can be a medium of education and social criticism. These findings encourage the use of cinema to increase empathy and awareness about women's rights. Another implication is the strengthening of the discourse on gender equality in the public space. Novelty: The novelty of this research lies in the use of Barthes' semiotics to read the issue of sexual violence in Indonesian films. The study emphasizes women not only as victims, but also as agents of symbolic resistance. Thus, film is understood as a tool for cultural change.
Co-Authors Anggun Anggita Devi Widiana Fitriatun Fitriatun Hetty Catur Ellyawati, Hetty Catur Lathifa Nony