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الدكتورة: بختة تاحي
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الخطّ العربي وتجليّاته في الحضارة الإسلامية – المساجد أنموذجا شروق دحماني; الدكتورة: بختة تاحي
Journal of Calligraphy Vol. 2 No. 1 (2022): Journal of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (684.026 KB) | DOI: 10.17977/um082v2i12022p51-61

Abstract

Arabic calligraphy is the supreme and sophisticated pillar that distinguishes Islamic arts, as we note that not an Islamic artwork is devoid of mosques, palaces, buildings, and walls, except that we found in it authentic Islamic inscriptions represented in the ancient Arabic calligraphy, which is wonderful in its decoration and refined in its expressions, and is distinguished in its drawings. The embroidered craftsmanship and mastery astonish the beholder. Where the interest in the latter has become a treasure and a beacon for calligraphers, their love for it tends to be associated with the tolerant and pure Islamic religion in its teachings, which led them to interact with various civilizations and to spread and display its distinctive images and forms, as well as to the diversity and different methods of Arabic calligraphy and the multiplicity of its models and its promotion to the highest ranks among the arts. From here we pose the forms: What is meant by the Arabic calligraphy? What are the main types of Arabic fonts? What are its manifestations and developments?
بدائع فنّ الخطّ العربي الأصيل – أنواعه ومراحل تطوّره – نماذج مصوّرة الدكتورة: بختة تاحي; الدكتور: مزايني محمّد; الدكتور: زكريا جرفي
Journal of Calligraphy Vol. 3 No. 1 (2023): Journal of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (782.16 KB) | DOI: 10.17977/um082v3i12023p1-13

Abstract

It is not possible to deny the position that Arabic calligraphy occupies in the Arab world as a whole, and in the Islamic world in particular, because of its nobility and originality, similar to other international fonts, as it was considered a distinctive and beautifully formed art. Where it is not hidden from anyone the position that Arabic calligraphy was and still occupies, that calligraphy that is refined in its details, ancient in its history and beautiful in its formation and drawing, and it cannot be doubted that it is an original art with a distinctive and creative character, as Islamic decoration enjoyed this type, especially in buildings, mosques and palaces. Since its ancient era, through engineering and creativity in inscriptions, drawings, and shapes, from this point of view, what is meant by calligraphy? And who are the most famous calligraphers who were known to master it? What are its types and stages of development? And how was this manifested through the pictures and inscriptions at the time? لا يمكن نكران المكانة التي يحتلّها الخطّ العربي في العالم العربي كافّة والإسلامي خاصّة لما له من عراقة وأصالة على غرار الخطوط العالمية الأخرى، فقد اعتبر كفنّ مميّز جميل التشكيل. حيث لا يخفى على أحد المكانة التي كان ولا زال يحتلّها الخطّ العربي، ذلك الخطّ الراقي في تفاصيله والعريق في تاريخه والجميل في تشكيله ورسمه، ولا يمكن التشكيك في كونه فنّا أصيلا ذو طابع مميّز ومبدع، فقد حظيت الزخرفة الإسلامية بهذا النّوع خاصّة في العمارات والمساجد والقصور، منذ عهدها القديم، من خلال الهندسة والإبداع في النقوش والرسومات، والأشكال، من هذا المنطلق ما لمقصود بفنّ الخطّ؟ ومن هم أشهر الخطّاطين الذين عرفوا بالتفنّن فيه؟ وما هي أنواعه ومراحل تطوّره؟ وكيف تجلّى ذلك من خلال الصور والنقوش آنذاك؟.
Co-Authors الدكتور: زكريا جرفي الدكتور: مزايني محمّد شروق دحماني