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Peran Film Dokumenter "Cerita dari Dalam Tembok Keraton Surakarta Hadiningrat" untuk Mempertahankan Warisan Budaya Wiranegara, IGP
Jurnal Pewarta Indonesia Vol 6 No 2 (2024): Jurnal Pewarta Indonesia
Publisher : Persatuan Wartawan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/jpi.v6i2.156

Abstract

Documentary films play a crucial role in introducing and understanding Indonesia's cultural heritage through factual and realistic narratives. They not only unearth marginalized stories in history but also act as agents of change in preserving culture. The production process of documentary films involves in-depth qualitative research, similar to scientific research, to ensure the authenticity and depth of the story. "Stories From Inside the Walls of Surakarta Hadiningrat Palace" is a tangible example of the application of documentary films in showcasing Indonesia's cultural richness through audio-visual media. By approaching the subject intimately, the film presents life inside the palace with captivating authenticity. From production to message delivery, the film demonstrates the significant potential of documentary films in strengthening understanding and appreciation of a nation's cultural heritage.
Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions Pahlevi, Riza; Wiranegara, IGP
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5012

Abstract

Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.
Pingit Film: A Problematic Expression of the Distortion of Javanese Traditional Wedding Traditions Pahlevi, Riza; Wiranegara, IGP
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.5012

Abstract

Pingit Film is the manifestation of the tradition of ‘pingit’ that has been adapted and/or eroded by modernization. This work is created in addition to being an entertainment medium, it also contains messages that ‘pingit’ that is not in accordance with the existing standards will make the purpose blurred. The process of creating this film combines the concepts of realism and surrealism. This combination is intended to give a clear limit to the character’s mind. The audience is invited not only to watch and listen, but also to feel what is in the mind of the character, indecision, doubt, overthinking, negative thinking because of the things he has just experienced. This experience poured into the form of sound and images, in this context is lighting and color grading. This work is certainly a form of contribution to the treasures of science and art.