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All Journal Adabiyyat: Jurnal Bahasa dan Sastra Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan
Sholih, Mohammad Badrus
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Arts Humanities Languange, Linguistic, Communication & Media

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Kritik Taufik Al-Hakim Atas Masyarakat Modern dalam Cerpen Daulatul Ashafir Persepektif Semiotika Umberto Eco: Taufik Al-Hakim's Criticism of Modern Society in The Story of Daulatul Ashafir's Semiotics Perspective Umberto Eco Sholih, Mohammad Badrus
Kibas Cenderawasih Vol. 19 No. 2 (2022): Kibas Cenderawasih, October 2022
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/kc.v19i2.322

Abstract

This research is motivated by the social conditions of modern society who have lost their identity. Reproduction of signs is done to fulfill their desire to reach a point of freedom that they expect, regardless of the background of the sign present. The short story “Daulatul Ashafir” by Taufik Al-Hakim which tells about the lives of two birds and a man who are filled with the hustle and bustle of social conflicts that are relevant to the state of modern society today. This study uses Umberto Eco's semiotic theory as a theoretical basis to find signs in the text that indicate an author's criticism of modern society. The results found in this paper are some of Taufik Al-Hakim's criticisms of modern society in the form of criticisms of arrogance, consumerism, greed, and ignorance that are intertwined in the soul of modern society. The author is able to convey his criticism of modern society in the short story "Daulatul Ashafir" by placing two birds as the main character and anti-thesis against humans who are considered the highest entities of creatures in the universe by negating the life that exists outside them.
MARLINA: POLEMIK KE-SUBJEK-AN DALAM SASTRA DAN MEDIA Sholih, Mohammad Badrus
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6 No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06104

Abstract

In a literary work, there is the desire of the character in it, and also the desire of the author which is listed and becomes the fulfillment of his desire. For Lacan, the fulfillment of desires is a process to achieve an authentic and whole subject. However, this is a complicated problem when it comes to dealing with and entering into a symbolic order. The film “Marlina The Killer of Four Acts” is one of the films that portray the problematics of the subject in a symbolic order so that it triggers the writer to understand the problem of subjectivity using Jacques Lacan's psychoanalytic theory. There are problems that the author wants to answer regarding the subject of Marlina, namely, 1) how is the image of the desire of the subject of Marlina displayed? 2) what is the desire of the film writer? and 3) what is the correlation with the media apparatus? This research uses the Lacanian psychoanalytic method to find answers to the problems of the subject in Marlina's character. The authors get results in the form of 1) how the image obtained by Marlina is identification in the mirror phase formed by language contaminated by other desires, thus making Marlina have a jouissance to get out of the symbolic order and achieve an authentic subject 2) also how the film's author's desire is a desire contained in the character of Marlina, and 3) how the media becomes a castration of the author's desire that prevents the author from achieving wholeness in his subject.
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