Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal CrossOver:Journal of Adaptation Studies Komsospol
Haq, Maulaya Arinil
Unknown Affiliation
Humanities Languange, Linguistic, Communication & Media Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
PESAN DAKWAH PADA FILM MERINDU CAHAYA DE AMSTEL Haq, Maulaya Arinil; Syaripah, Imroatus
Komsospol Vol 3 No 2 (2023): Volume 3 Nomor 2 Tahun 2023
Publisher : Universitas Muhammadiyah Kotabumi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47637/komsospol.v3i2.1127

Abstract

In the last few decades, the film industry has experienced rapid progress and has played an important role in the field of communication or conveying messages. Where initially it was just a black and white image, it then developed with all kinds of effects that made the film look more real, making it more interesting for the audience to enjoy. In more detail, film is a communication medium in the form of moving images. One film that conveys the message of preaching is the film Merindu Cahaya De Amstel, directed by Hadrah Daeng Ratu, which is an adaptation of a novel by Arumi Ekowati which is based on a true story. This film takes the background of a non-Muslim woman who changed her name to Siti Khadijah after embracing Islam. In this study we used qualitative research. This approach aims to find and describe religious elements. The data source for this research is films and the data for this research are words, phrases, clauses, sentences, paragraphs and dialogues that describe religious elements contained in the film Merindu Cahaya De Amstel. This research data collection technique uses library research. After data collection, data analysis is carried out by following the data analysis steps, namely classifying, describing and concluding. In this film there are several preaching messages, namely that a woman must cover her private parts and be friends with others who help each other in goodness, and remember that the commands from Allah SWT are the most important, especially when receiving messages of goodness that must be spread widely and become useful human beings.
FROM CULT CLASSIC TO MODERN HORROR: THE PLOT TRANSFORMATION OF PENGABDI SETAN (1980) AND PENGABDI SETAN (2017) Paradita, Zahra Intan; Haq, Maulaya Arinil; Fitriana, Alviatum Rizqi Eka; Amin, Ahmad Mutawakkil; Oktaviandini, Rachelina Nisa; Kausch II, Christopher J.
CrossOver Vol. 5 No. 1: June, 2025
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/crossover.v5i1.9390

Abstract

To make the story of a movie relevant each year, movie producers try to remake their work into a new story that is relevant with the perspective of the people to attract a more comprehensive audience. Thus, to make the remake movie more relevant to audience development, producers occasionally need to change the narrative from hypotext (source) to hypertext (new adaptation). This research aims to analyze the narrative from plot transformation of the films Pengabdi Setan (1980) and Pengabdi Setan (2017). The study focuses on the changes in the plot of the movie Pengabdi Setan (2017), adapted from the film with the same title in 1980. This qualitative research is analyzed using both narrative transformation with plot as the focus in this study and Transtextuality, as conceptualized by Gerard Genette, which divides narrative transformation into four types: Transdiegetization, Transpragmatization, Transmotivation, and Transvaluation and divides Transtextuality into two types mainly augmentation and reduction to analyze the plot transformation between the source story and its remake, Pengabdi Setan (1980) into its remake movie, Pengabdi Setan (2017). Narrative transformation, especially plot transformation, using Freytag’s Pyramid that divides dramatic elements of a story into five parts, including exposition, rising action, climax, falling action, and resolution. The data are collected by watching and documenting the plot differences and then using Miles and Huberman (1994) for analyzing the data. The analysis reveals significant transformations in the plot of the remake movie, primarily through the strategies of reduction and augmentation. It is shown that augmentation is the most predominant strategy used in the Pengabdi Setan (2017), effectively transforming and elevating the plot while retaining the essence of the original story.
Co-Authors Amin, Ahmad Mutawakkil Fitriana, Alviatum Rizqi Eka Kausch II, Christopher J. Oktaviandini, Rachelina Nisa Paradita, Zahra Intan Syaripah, Imroatus