Article Per Year (5 Year)
p-Index From 2021 - 2026
0.61
P-Index
This Author published in this journals
All Journal JADECS (Journal of Art, Design, Art Education and Culture Studies) Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan Indonesian Journal of Islamic Literature and Muslim Society
Alashari, Duaa Mohammed
Unknown Affiliation
Religion Arts Humanities Education

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
THE ROLE OF PRINCIPLES OF DESIGN IN THE AESTHETICS OF LINEAR FORMATIONS IN THE KISWAH OF KAABA Alashari, Duaa Mohammed
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 8, No 2 (2023)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v8i22023p212-221

Abstract

The linear formations in the Kaaba's covering are characterized by several design principles that have effectively contributed to giving the Holy Kaaba's covering an aesthetic appearance. Therefore, this study aims to reveal the technical design foundations of the covering of the Kaaba, according to a methodological and analytical perspective. The method used in this study is the descriptive-analytical method. This study is classified under applied field studies. The study concluded that the linear formations present in the covering of the Holy Kaaba enjoy several design foundations of an artistic and aesthetic nature. These foundations are balance, supremacy, rhythm, unity, contrast, coordination, proportionality, symmetry, and sequence. The study also concluded that artistic design principles had been applied to the highest degree to achieve the aesthetic goal of designing the linear formations in the cladding and to enhance the artistic dimensions through a functional and aesthetic rhythm.
The Aesthetics of Arabic Calligraphy and the Materials Used in Crafting Traditional Art Alashari, Duaa Mohammed
Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan Vol. 5 No. 8 (2025)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um065.v5.i8.2025.2

Abstract

The art of Arabic calligraphy is particularly concerned with the value of beauty and therefore requires specific tools and materials for its writing, formulation, and production. The writing of Arabic calligraphy, both ancient and modern, has been linked to fixed geometric rules and specific tools. Therefore, this paper aims to identify the most prominent materials and tools used in writing it in the past. This study also aims to identify the most important basic rules that calligraphers must follow. The methodology used in this study is historical and descriptive, as it aligns with the study's objectives and goals. One of the most important findings of the study is that the Ottoman calligraphy school developed calligraphy writing tools, beginning with paper, reeds, and knives used for sharpening pens. The study also concluded that each of the tools used in the past in writing Arabic calligraphy is of immense importance, as they form the foundation of the calligraphic work and the essence of its existence.
Jamalat al-Khat al-Arabi wal-Takwinat al-Khatiyah fi Kiswat al-Ka'bah al-Musharrafah: Dirasah Faniyah Tahliliyah Alashari, Duaa Mohammed
Indonesian Journal of Islamic Literature and Muslim Society Vol. 8 No. 1 (2023): June 2023
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v8i1.4945

Abstract

The covering of the Kaaba possesses aesthetic values ​​and dimensions that are embodied through the artistic composition of Arabic calligraphy, and this artistic composition is an exquisite aesthetic artistic issue that evokes admiration, appreciation, and reverence. Therefore, this study aims to reveal the aesthetic characteristics and systems with fine artistic values ​​for Arabic calligraphy and the linear formations embodied in the honorable dress of the Kaaba according to a methodological perspective and an artistic vision. The study found that the covering of the Kaaba, with its Arabic calligraphy and calligraphic formations, expresses the originality of the Islamic nation and the aesthetic dimension inherent within the scope of Islamic art. And that the Arabic calligraphy is characterized by aesthetic characteristics that make it a decorative element as it contains many artistic and aesthetic values, and in particular the complex clear third line. The study also found that the totality of the calligraphic formations was formulated in an eloquent and aesthetic artistic style that added to the beauty of the verbal meaning by the aesthetics of the linear composition, and in this, the visual rhetoric and the aesthetics of the textual structure were manifested based on the ability of Arabic letters according to a wonderful aesthetic style based on the characteristics and systems of the linear composition.    
Co-Authors