Alashari, Duaa Mohammed
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THE ROLE OF PRINCIPLES OF DESIGN IN THE AESTHETICS OF LINEAR FORMATIONS IN THE KISWAH OF KAABA Alashari, Duaa Mohammed
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 8, No 2 (2023)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v8i22023p212-221

Abstract

The linear formations in the Kaaba's covering are characterized by several design principles that have effectively contributed to giving the Holy Kaaba's covering an aesthetic appearance. Therefore, this study aims to reveal the technical design foundations of the covering of the Kaaba, according to a methodological and analytical perspective. The method used in this study is the descriptive-analytical method. This study is classified under applied field studies. The study concluded that the linear formations present in the covering of the Holy Kaaba enjoy several design foundations of an artistic and aesthetic nature. These foundations are balance, supremacy, rhythm, unity, contrast, coordination, proportionality, symmetry, and sequence. The study also concluded that artistic design principles had been applied to the highest degree to achieve the aesthetic goal of designing the linear formations in the cladding and to enhance the artistic dimensions through a functional and aesthetic rhythm.
The Aesthetics of Arabic Calligraphy and the Materials Used in Crafting Traditional Art Alashari, Duaa Mohammed
Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan Vol. 5 No. 8 (2025)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um065.v5.i8.2025.2

Abstract

The art of Arabic calligraphy is particularly concerned with the value of beauty and therefore requires specific tools and materials for its writing, formulation, and production. The writing of Arabic calligraphy, both ancient and modern, has been linked to fixed geometric rules and specific tools. Therefore, this paper aims to identify the most prominent materials and tools used in writing it in the past. This study also aims to identify the most important basic rules that calligraphers must follow. The methodology used in this study is historical and descriptive, as it aligns with the study's objectives and goals. One of the most important findings of the study is that the Ottoman calligraphy school developed calligraphy writing tools, beginning with paper, reeds, and knives used for sharpening pens. The study also concluded that each of the tools used in the past in writing Arabic calligraphy is of immense importance, as they form the foundation of the calligraphic work and the essence of its existence.