Kusumaningtyas, Aryati Dewi
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Prinsip Suku Betawi Sebagai Inspirasi Utama Penciptaan Karya Tari Ngasosi Kusumaningtyas, Aryati Dewi
TAMUMATRA Vol 6 No 2 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v6i2.24832

Abstract

A principle is something that is inherent and its truth is the basic principle for thinking and acting. The Ngasosi dance work is a new dance performance presented in pairs, which departs from the habits of Betawi people's lives. This research was carried out using qualitative methods, namely by explaining in detail the inspirational ideas and forms of presentation with a background of creativity carried out by choreographers in developing traditional Betawi dance, as well as expanding character education. This research uses primary and secondary data sources. The primary data source is interview notes, the researcher's secondary data source was obtained through literature studies in the form of books, scientific journals that support research, and photo documentation of variations in dance movements, fashion, make-up, props and musical scores. The resulting understanding is that this dance depicts a father and son who carry out the principles of life of the Betawi people, namely the Koran, prayer, silat which are applied in everyday life, where the principles of life of the Betawi people must be remembered from an early age until adulthood so that they become good habits and obligations. which has always been passed down from generation to generation.
ACCULTURATION OF BETAWI DANCE AS A FORM OF SPREAD OF CHINESE CULTURE (SIPATMO DANCE STUDY) Kusumaningtyas, Aryati Dewi; Pramutomo, RM.
Jurnal Kajian Seni Vol 11, No 1 (2024): Jurnal Kajian Seni Vol 11 No 1 November 2024
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.86539

Abstract

The cultural component of the group itself is gradually assimilated into other cultures. The openness of a community will cause its culture to be influenced by the cultures of other communities, which can lead to cultural acculturation. Chinese culture is one of the cultural blends in the Jakarta area. The Sipatmo dance first appeared in the 17th century and advanced in the 18th century under the leadership of Memeh Karawang (originally Tan Gwat Niao). The purpose of this study is to determine the existence of the Sipatmo Betawi dance and the acculturation of the Betawi dance with Chinese culture. Therefore, descriptive research methods are used because this research aims to obtain answers related to people's responses, opinions, and perceptions. The results of these findings state that many residents do not know that the Sipatmo dance is a traditional Betawi dance that originates from there. Many of them do not know that the Sipatmo dance, which is also known as the Cokek dance, was originally a complementary dance performed during rituals at a temple. Even if this ownership is to be registered to clarify the category of regional culture, this depends on the art holders who are domiciled as citizens spread across the various administrative areas concerned.