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Konsepsi Patriarki dalam Serial Gadis Kretek Sutradara Kamila Andini dan Ifa Isfansyah Patihah, Marwah Ernia; Afriani, Nunung
MANTRA: Jurnal Sastra Indonesia (Sastra, Bahasa, Budaya) Vol 2 No 2 (2024): MANTRA: Jurnal Sastra Indonesia (Sastra, Bahasa, Budaya)
Publisher : Program Studi Sastra Indonesia Fakultas Psikologi dan Humaniora Universitas Teknologi Sumbawa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36761/mantra.v2i2.4221

Abstract

Penelitian ini bertujuan untuk mengungkapkan fenomena patriarki dalam film yang berjudul Gadis Kretek karya Kamila Andini dan Ifa Isfansyah. Hal yang ingin diungkapkan dalam film tersebut adalah adanya tindakan atau fenomena patriarki. Penelitian ini merupakan penelitian kualitatif dengan melakukan analisis deskriptif. Objek primer dari penelitian ini adalah film Gadis Kretek karya Kamila Andini dan Ifa Isfansyah dan objek sekunder berupa referensi-referensi terkait yang dapat membantu menjawab masalah penelitian. Data-data diperoleh dengan menonton,kemudian mencatat fenomena-fenomena terkait masalah patriarki dalam objek penelitian. Analisis dilakukan dengan identifikasi dan pendeskripsian data-data terkait masalah patriarki.
Representasi Dualitas Peran Perempuan dalam Film Siti Sutradara Eddie Cahyono: Representation of the Duality of Women's Roles in the Film Siti Director Eddie Cahyono Putri, Rahmin Meilani; Afriani, Nunung
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.2946

Abstract

The focus of this study is to describe the role of Siti as a wife and mother who has to deal with multiple layers of economic, social, and psychological pressures as a result of having to take care of the household while also being the main breadwinner for her family. This study aims to discuss the representation of dual roles experienced by female characters in Eddie Cahyono's film Siti. This study uses a qualitative descriptive approach with narrative analysis methods to reveal the representation of economic burdens, domestic burdens, as well as identity crises and female independence experienced by the main character. The results of the study show that the film Siti strongly depicts the condition of women trapped in dual roles. The character Siti must struggle with caring for her paralyzed husband, raising her children, and working at night as a karaoke hostess to meet her family's economic needs. The film also portrays Siti's identity crisis, her emotional alienation, and her difficulty in gaining recognition for her struggles. Thus, the film Siti serves as a vivid portrayal of the reality of women living within a patriarchal system and facing structural pressures that hinder their autonomy and well-being.