Ho, Leslie Wong Kah
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The Forging of a “Singapore Sound” in Saxophone Compositions of Zechariah Goh Ho, Leslie Wong Kah; Bampenyou, Rattanai
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.41647

Abstract

The main objective of this study is to examine two of Goh’s saxophone works that demonstrate how the composer realized Singaporean identity through the synthesis of Western, Tibetan, and Indian musical elements. The research design of this qualitative case study is narrative research with data collection carried out by semi-structured questions, email interview with the composer and review of text, videos, and journal articles that relate to the government policies of racial integration and multiculturalism in Singapore, followed by analysis of two of the recent works that evolved from the fusion of Eastern and Western styles. The two works for this qualitative study are Images of Tibet for Soprano Saxophone and Piano, and Confluence for Saxophone Ensemble and Mridangam. The findings show that 1) Images of Tibet uses Western formal structures, the technique of thematic development, and Tibetan musical idioms; and 2) Confluence for Saxophone Ensemble and Mridangam employs the Indian Tala, motivic modification technique used in the Fugues of Johann Sebastian Bach, and pandiatonicism as employed in Impressionistic works of Debussy and Ravel. This study reveals the two ways in which the composer uses to intertwine the East and West in his connection to his cultural roots.
A Pilot Study on Motivations of Amateurs in the Community Saxophone Ensemble in Singapore Ho, Leslie Wong Kah
Harmonia: Journal of Arts Research and Education Vol. 25 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v25i1.18634

Abstract

Through the realization of The Singapore Band Project, Singapore has developed a thriving wind music initiative in school music education and ensemble playing training. Nevertheless, the problem of engaging participants in music-making beyond their school remains a critical issue, as in most cases, only about 10% of each cohort continues to be engaged in the activity. This pilot study employed a quantitative methodology to investigate the musicians of two single-instrument ensembles in Singapore: The Protégé Saxophone Ensemble and the Music Elements Saxophone Ensemble. The demographic data and ongoing engagement motivational factors are as follows. The study evaluates the Motivators of Continued Participation as outlined by Krause in her 2020 study and the hierarchy of these Motivators through sentiment scoring. The findings reveal that intrinsic motives are the most significant for long-term engagement and continued participation in music making during emerging adulthood. The results aim to provide recommendations for developing sustainable recruitment and retention strategies to support music ensembles and continue growing the vibrant music community in Singapore. Therefore, this study helps to close the gap between academic music education and adult music participation, emphasizing the necessity of an individualized program approach.