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Aloysius Mering
Program Studi Pendidikan Seni Tari dan Musik FKIP Untan
Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Mathematics Other

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BENTUK PENYAJIAN MUSIK GONDANG SABANGUNANBATAK TOBA PADA GRUP MADE NAULI SOUND DI PONTIANAK Desianti Manullang; Aloysius Mering; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 7, No 5 (2018): Mei 2018
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (548.81 KB) | DOI: 10.26418/jppk.v7i5.25856

Abstract

AbstractThe presentation form in music show is for the harmonic of music show presented to audience. Gondang Sabangunan is a Bataknese music ensemble group composed of 4 type of music instruments which are Taganing, Hasapi, Suling. This research has two problems formulation, which are (a) how music form of Made Nauli Sound music group and (b) how presentation form of Made Nauli Sound music show when performing in shows. Data was gathered with three methods: interview, observation, and documentation. Made Nauli Sound music group base was located in Asrama Gatot Karika V Street, Adisucipto, Pontianak. The respondent of the research was the owner of Made Nauli Sound and drummer of Gondang Sabangunan with interview method. Data analysis was done word by word and the validity check was done using Triangulation. Observation and personnel interview done from April to November 2017. The data analysis result concluded that Gondang Sabangunan (a) music form presents shows in instrumental and combination form. The harmony was formed collectively and performance was done in multiple Batak show especially Christian religion occasions. (b) Music presentation has 3 kind of forms, which are religion, culture, and entertainment purpose. Keywords: Music Presentation Form, Made Nauli Sound Group Music, Gondang                      Sabangunan.
DOUBLE CONCERTO FOR OUD AND CELLO MANIFESTASI MUSIKAL TERHADAP PERKEMBANGAN MUSIK BARAT DI PONTIANAK Ahmad Muhajir; Aloysius Mering; Asfar Muniir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 2 (2019): Februari 2019
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (321.41 KB) | DOI: 10.26418/jppk.v8i2.31317

Abstract

AbstractThe musical composition of Double Concerto for Oud and Cello is a musical manifestation of the development of western music in Pontianak. Concerto is a form of western music in which there is a soloist as the principal role that is accompanied by orchestra. The cornerstones of the theories as a reference in term of music creation are concerto, music composition, elements of music composition, music composition techniques, and the writing of music notation. This composition, the music, consists of three movements. The method used in creating the music is transference. The creation stage uses several steps namely, observation, exploration, composition, and evaluation. As an absolute music, the discussion and analysis that the author focuses on each movement is on tone and harmony processing, rhythmic processing, timbre processing, tempo processing and tension, and music form. This piece is expected to provide an insight in the development of music science, especially in the form of concerto music and how to compose music through the traditional instruments of West Kalimantan and Western instruments.Keyword: Manifestation, double concerto, oud, cello
Co-Authors Ahmad Muhajir Asfar Muniir Desianti Manullang