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KAJIAN TEKSTUAL GERAK TARI JEPIN LABA-LABA DESA PENIBUNG KECAMATAN MEMPAWAH HILIR KABUPATEN MEMPAWAH Muhammad Rafiki; Winda Istiandini; Regaria Tindarika
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 11, No 8 (2022): Agustus 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v11i8.57252

Abstract

This study was followed by the interest of researchers during their work in the art world who discovered several events, resulting in a lack of community knowledge even local educators and artists related to this dance. The uniqueness of a dancer who looks like a spider making a place to live or a spider's nest that becomes a difference with other strap claspings is also an attraction. Therefore researchers conducted motion-related research from this Laba-laba Jepin Dance so that it could be documented in the form of writing, pictures, as well as videos. On this study used descriptive research methods that took the form of qualitative research with a choreographic approach. Techniques in data collection are observation, interview, and documentation. Based on the results of this study it is therefore concluded that in analyzing shapes, techniques, and motion styles it can produce motion forms containing choreography principles with its own techniques and styles. Motion becomes the most important thing in a dance, because motion is the main element that contains space, time, and calmness. A slightly difficult technique requires mastery of motion and thus obtaining perfect motion. The motion and the lacing of the binding pattern become distinctive features in this dance.
BENTUK PENYAJIAN TARI RADDAT APE NANG DITUMBOK DI KABUPATEN SAMBAS KALIMANTAN BARAT Yogi Yogi; Ismunandar Ismunandar; Winda Istiandini
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 11, No 7 (2022): Juli 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v11i7.55950

Abstract

This study aims to describe the form presentation of the Raddat Ape Nang Ditumbok Dance in Sambas Regency, West Kalimantan. The problem of this research is related to the elements of the presentation form of the Raddat Ape Nang Ditumbok Dance. This research uses qualitative approach. The authors used descriptive method to analyse the cheography of the Raddat Ape Nang Ditumbok Dance. The authors involved two informants in the process of interview. The authors also used observation dan document analysis in this study. Based on the interview, observation and document analysis, the authors concluded that the Raddat Ape Nang Ditumbok dance consists of 6 to 12 female players. This dance comprises 5 movements, namely “menumbuk padi”, “menampi padi”, “timang burung”, “nyiur melambai”, and “sedih bahagia”. The floor pattern in this dance uses horizontal, triangular, and zig-zag floor patterns. The musical instruments used in the the Raddat Ape Nang Ditumbok Dance are tambourines, long drums (kedumbak), tahar, and rumba. The dance is accompanied with song. The dancers use realistic make-up, the clothes used are brackets, tapeh sarong, bun, lotus, and head accessories such as rocking flowers and earrings. The venue used must be a proscenium stage and an open field.
FUNGSI TARI AJAT TEMUAI DATAI PENYAMBUTAN DI DESA SUNGAI ANTU KABUPATEN SEKADAU Yunikorniati Yunikorniati; Ismunandar Ismunandar; Winda Istiandini
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 11, No 9 (2022): SEPTEMBER 2022
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v11i9.57953

Abstract

Korniati, Yuni. 2022. ''Function of Ajat Temuai Datai Dance at a Welcoming Ceremony in Sungai Antu Village, Sekadau Regency''. Faculty of Teacher Training and Education. Tanjungpura University. Pontianak. Supervisor I Ismunandar, SH, S.Sn, M.Pd and Supervisor II Winda Istiandini, S.Pd, M.Pd.This study aims to describe the function of the Ajat Temuai Datai dance at the Welcoming Ceremony of the Mualang Dayak Tribe in Belitang Hulu District, Sekadau Regency. The research uses descriptive methods in the form of qualitative and anthropological approaches. The source of the data in this research is Mr. Bani Suhendra, Mr. Petrus, and Mrs. Mini who knows the Ajat Temuai Datai Dance as well as a traditional figure. Data collection techniques in the form of observation, interviews and documentation. The technique of testing the validity of the data is source triangulation. The results of this study are 1) The function of the Ajat Temuai Datai dance as a ceremony / ritual seen from the implementation process, this dance is performed during the welcoming process and there are several offerings that need to be prepared for the performance process such as preparing pork, chicken, grilled lemang, chicken eggs , palm wine, yellow rice (raw), and cooked rice. 2) The function of the Ajat Temuai Datai dance as a public performance aims to enliven or celebrate event such as welcoming important guests and the Gawai Dayak party. In the implementation there is no element of ritual or offerings that need to be prepared.Keywords: Function, Ajat Temuai Datai Dance, Sungai Antu . Village
Co-Authors Ismunandar Ismunandar Muhammad Rafiki Regaria Tindarika Yogi Yogi Yunikorniati Yunikorniati