Christianly Yeri Silaban
Program Studi Pendidikan Seni Pertunjukan FKIP Untan

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STRUKTUR PENYAJIAN TARI JEPIN ROTAN DI PONTIANAK Shara Safitri; Ismunandar Ismunandar; Christianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 9 (2019): September 2019
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (475.097 KB) | DOI: 10.26418/jppk.v8i9.35386

Abstract

AbstractJepin Rotan dance in the territory of the town of Pontianak was one of the Jepin dance that this day still exists. Forms generated by the property Jepin Rotan dance have its own philosophy that is described by Jepin Rotan dance. This research is a qualitative research with a choreographic approach. The method used in this writing is descriptive analysis method, namely the effort to explain in detail with a systematic, factual and accurate analysis of the facts of the object under study. The form of research used in this study is qualitative. The technique of collecting data was obtained in the form of interviews for data, and observation techniques for photos and videos. The technique used in checking the validity of the data in this study is the technique of triangulation method. The results showed that the presentment structure of Jepin Rotan dance have several aspects, namely motion, theme, floor design, makeup, fashion, property, musical accompaniment and the show place. In addition, the design of implementation  Jepin Rotan dance can be applied to cultural arts learning at second grade of Senior High School in accordance with the 2013 curriculum.   Keywords : Presentation Structure, Tari Jepin Rotan, Pontianak City
ANALISIS MUSIK IRINGAN TARI RADDAT LIHATLAH BULAN DI DESA BEKUT KECAMATAN TEBAS KABUPATEN SAMBAS Erwin Susanto; Yudhistira Oscar Olendo; Christianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 5 (2021): MEI 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i5.46730

Abstract

Abstract The background of this research is to analyze the structure of the vocal melody and the wasp pattern of tahar raddat, look at the moon. There is a uniqueness in the poetry and wasp pattern of tahar wasps. Both from the textual aspect, namely the musical aspect, as well as from the contextual aspect, namely the aspect of the performing arts. The problem in this research is how the structure of the raddat vocal melody, look at the moon and how the wasp pattern of raddat wasps looks at the moon. The method in this research is descriptive method with qualitative research form. The approach used is the musicology approach. Data collection techniques in this study are observation, interviews, and documentation. This research data collection tool the researcher as the main instrument.This research describes the structure of the vocal melody and describes the wasp pattern of tahar. The surong dayong wasp pattern uses a 4/4 bar, the ngimbai wasp pattern uses a 4/4 bar and the scale used in the vocal melody is the c / natural minor scale and uses the 4/4 rhythm. Tahar has two sound colors, namely the Dung sound color and the Cang sound color. Keywords: Analysis, Raddat take a look at the moon, Vocal, Wasp pattern.