Article Per Year (5 Year)
p-Index From 2021 - 2026
0.408
P-Index
This Author published in this journals
All Journal Ultimart: Jurnal Komunikasi Visual
Angela, Ika
Unknown Affiliation
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Bahasa Inggris Angela, Ika
ULTIMART Jurnal Komunikasi Visual Vol 17 No 2 (2024): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v17i2.3850

Abstract

In Chinese-Asian culture, sons are often viewed as symbols of luck and hope, which leads parents to invest heavily in their futures. However, when a son is married, this deep connection can lead to tension, especially between his mother and wife. The son then finds himself in the tricky position of balancing both relationships between the Mother-in-Law (MIL) and the Daughter-in-Law (DIL). Lahn Mah (Pat Boonnitipat, 2024) known in English as How to Make Millions Before Grandma Dies, captures this dynamic with several scenes exploring the relationships among son, MIL, and DIL. Therefore, this study examines visual signs that convey the distance in the relationships between sons, MIL, and DIL in Lahn Mah. This research employs a descriptive qualitative methodology with Ferdinand de Saussure's semiotic analysis approach. The findings reveal nine key scenes illustrating varying distances between the son, MIL, and DIL. These distances shift as the story unfolds: wide gaps signify conflict, while closeness indicates reconciliation. Keywords: distance; sons; in-laws; film; semiotic
Bahasa Inggris Angela, Ika
ULTIMART Jurnal Komunikasi Visual Vol 17 No 2 (2024): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v17i2.3850

Abstract

In Chinese-Asian culture, sons are often viewed as symbols of luck and hope, which leads parents to invest heavily in their futures. However, when a son is married, this deep connection can lead to tension, especially between his mother and wife. The son then finds himself in the tricky position of balancing both relationships between the Mother-in-Law (MIL) and the Daughter-in-Law (DIL). Lahn Mah (Pat Boonnitipat, 2024) known in English as How to Make Millions Before Grandma Dies, captures this dynamic with several scenes exploring the relationships among son, MIL, and DIL. Therefore, this study examines visual signs that convey the distance in the relationships between sons, MIL, and DIL in Lahn Mah. This research employs a descriptive qualitative methodology with Ferdinand de Saussure's semiotic analysis approach. The findings reveal nine key scenes illustrating varying distances between the son, MIL, and DIL. These distances shift as the story unfolds: wide gaps signify conflict, while closeness indicates reconciliation. Keywords: distance; sons; in-laws; film; semiotic
Co-Authors