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The clarifying lawful overseas use of data (CLOUD Act): Counter-terrorism effort or reproduction of United States’ hegemony in cyberspace? Gustian, Rizki Puji
Jurnal Inovasi Ilmu Sosial dan Politik (JISoP) Vol 6 No 2 (2024)
Publisher : Universitas Islam Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/jisop.v6i2.21574

Abstract

Besides the emergence of new technology since the inception of technology industry 4.0, cyberspace has also emerged as a new spatial dimension apart from land, sea and air. Cyber security is not only tied to one region or country but has become a global issue. As a non-traditional security concern, cyberspace threats vary from state and non-state actors. The United States (US) responded to this threat by issuing the Clarifying Lawful Overseas Use of Data (CLOUD Act) policy. The CLOUD Act aims to give the US the legitimacy to gain access to data related to terrorism, violent crime, child exploitation, and cybercrime abroad that is stored with digital service providers from the US. This research tries to question why the United States uses the issue of terrorism in CLOUD Act. This research uses a non-traditional security perspective, namely, cyber security and human security in cyber space. Using qualitative methods with deductive approach utilizing the perspectives of Non-Traditional Security (NTS), this research sees the formation of the CLOUD Act as an exceptional US step involving the issue of terrorism, like other steps after the 9/11 tragedy. This article argues that the U.S. CLOUD Act strategically uses concerns about terrorism and cybercrime to legitimize exceptional measures for accessing data from U.S.-based digital platforms, reinforcing US hegemony in cyberspace. It highlights how this policy enables the US to exert global influence over digital infrastructures, often at the expense of privacy and multilateralism.
From Coffee To Data: The Influence Of Cardano On Ethiopia’s Coffee Trade Gustian, Rizki Puji
Dinasti International Journal of Education Management And Social Science Vol. 5 No. 3 (2024): Dinasti International Journal of Education Management and Social Science (Febru
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijemss.v5i3.2308

Abstract

Ethiopia's primary export, coffee, has been instrumental in its economic growth. A blockchain multinational company named Cardano advocated for the adoption of their technology in Ethiopia. However, instead of fostering development, the push for blockchain by developed nations perpetuates structural imperialism. This stems from disparities in economic distribution and ICT knowledge. This study examines Cardano's influence on Ethiopia's coffee sector in 2018, revealing a dynamic where developed countries exert influence over developing ones. Cardano's technological prowess positions it at the center, impacting Ethiopia as a peripheral player in blockchain adoption for coffee trade enhancement. Despite Ethiopia's coffee exports tripling in value, the collaboration also benefits Cardano, leading to unequal labor division and economic gains. Furthermore, Cardano's initiatives spawn additional blockchain applications, extending its influence across various sectors.
An Autobiography but Not Quite: The Autobiography of Miss Jane Pittman as a Parody Gustian, Rizki Puji
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.10552

Abstract

This article examines Ernest J. Gaines' The Autobiography of Miss Jane Pittman (1972) as a parody and critique of dominant cultural narratives. Combining close reading with biographical criticism, which contextualizes the novel through Gaines’ socio-cultural background as an African American author. Drawing on Bakhtin’s and Hannoosh’s theories of parody and Gates’ concept of chiasmus, the analysis explores how the novel imitates, transforms, and subverts its targets. Bhabha’s notion of mimicry situates parody within postcolonial discourse, while Genette’s theory of frequency analyzes the novel’s repetitive narrative structures. Ashcroft, Griffiths, and Tiffin’s concepts of appropriation and abrogation address Gaines’ use of English, shaped by his identity as a Black writer from Louisiana and his California education. Bakhtin’s heteroglossia highlights the novel’s polyphonic structure, reflecting its diverse voices. Ong’s theories of orality and literacy contrast Louisiana’s oral traditions with Gaines’ literary techniques. Interviews with Gaudet and Wooton reveal the influence of white literary traditions on Gaines, situating him within African American literary frameworks. Loomba’s critique of colonial discourse positions the novel as a subversive response to white supremacy. Thus, the objective of this study is to demonstrate that Gaines uses parody in the Autobiography of Miss Jane Pittman as both a literary form and an ideological tool to challenge hegemonic narratives and amplify African American voices.