Article Per Year (5 Year)
p-Index From 2020 - 2025
0.23
P-Index
This Author published in this journals
All Journal Austronesian: Journal of Language Science & Literature
Ni Ketut Alit Setianingsih
Unknown Affiliation
Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : Austronesian: Journal of Language Science

 1 
Analyzing Conceptual Metaphors Through Michael Bublés ‘Call Me Irresponsible’ Album I Kadek Roycke J. Kamandanu; Ida Ayu Made Puspani; Ni Ketut Alit Setianingsih
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.113-121

Abstract

The study “Conceptual Metaphor in Bublé’s Call Me Irresponsible Album” explores how metaphors in song lyrics can complicate understanding. This research categorizes and analyzes metaphor types found in Michael Bublé’s album, specifically focusing on 13 songs such as “The Best Is Yet to Come,” “Everything,” and “That’s Life.” Lyrics were sourced from Genius.com, and a descriptive qualitative approach guided by Lakoff and Johnson’s conceptual metaphor theory was employed. Three main types of conceptual metaphors structural, orientational, and ontological were identified in the analysis. Structural metaphors (56 instances), orientational metaphors (42 instances), and ontological metaphors (39 instances) were found to compare different concepts, often relating to themes of love and relationships. These metaphors contribute connotative, affective, and social meanings to the lyrics, influencing interpretations. The study highlights the importance of metaphor analysis in understanding how metaphors enrich song lyrics but also pose challenges in interpretation. By systematically categorizing and scrutinizing metaphors, this research enhances our comprehension of the nuanced meanings embedded in Bublé’s music, shedding light on the intricate interplay between language, metaphor, and thematic content in popular music.
Co-Authors I Kadek Roycke J. Kamandanu Ida Ayu Made Puspani