Hartawati, Ni Putu Wulan
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Simbolisme dalam Seni Rupa Hindu: Perspektif Postmodern terhadap Representasi Dewa dan Dewi dalam Banten Hartawati, Ni Putu Wulan
Widya Sundaram : Jurnal Pendidikan Seni Dan Budaya Vol 2 No 1 (2024): Maret 2024
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/jws.v2i1.2049

Abstract

This study investigates the impact of globalization on Hindu religious practices and cultural expressions through a comprehensive literature review. Utilizing a qualitative approach, the research integrates multiple dimensions of globalization’s influence, including the adaptation of religious rituals, transformation of artistic expressions, technological integration, changes in community structures, and dynamics of cultural identity. Data were systematically collected and analyzed using the Miles and Huberman model, ensuring a holistic understanding of how Hindu communities navigate the challenges and opportunities presented by globalization. The findings reveal that Hindu communities are increasingly incorporating modern elements into traditional rituals, such as the use of social media and digital platforms for disseminating teachings and conducting virtual rituals, thereby attracting younger generations and expanding their religious outreach. Additionally, contemporary Hindu art that blends traditional and modern elements exemplifies a creative response to global influences. The integration of digital technology enhances participation and facilitates the broader preservation and dissemination of Hindu culture. Changes in community structures, particularly due to migration and diaspora, highlight the evolving dynamics of cultural identity and adaptation to multicultural environments. This study addresses existing gaps by providing a holistic analysis that combines local wisdom with global dynamics, emphasizing the crucial role of character-based educational leadership in managing these changes. The research contributes theoretically by offering a new analytical framework and practically by providing strategies for cultural adaptation and preservation, thereby guiding Hindu communities in maintaining their identities in the global era.
Body Painting: Memadukan Seni, Kecantikan, dan Performansi dalam Bentuk Seni Visual Hartawati, Ni Putu Wulan
Widya Sundaram : Jurnal Pendidikan Seni Dan Budaya Vol 2 No 2 (2024): September 2024
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/jws.v2i2.2388

Abstract

Body painting has emerged as an intriguing phenomenon in contemporary art and tourism, combining elements of visual art, attractiveness, and performance. This research investigates integrating these elements into a single piece of art and its influence on the tourism industry, model empowerment, and body commodification, with a particular emphasis on Bali. The qualitative research methodology involves in-depth interviews and observations of artists, models, and audiences in the context of body painting performances. The study results demonstrate that body painting is a visual art form and a performance activity that directly engages the audience. The fact that models may use their bodies as a means of artistic expression gives them a sense of empowerment.Furthermore, even though body painting retains its artistic significance, it is considered a commodity in Bali's tourism sector. This research enhances the comprehensive understanding of body painting, presents novel concepts regarding the interplay between art, performance, and economy, and paves the way for additional investigation into body art within a worldwide social and cultural framework. In conclusion, body painting is a multifaceted art form that enhances both the realm of visual arts and the domain of body art.