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All Journal Jurnal Titik Imaji
Sitepu, Petrus Damiami
Universitas Multimedia Nusantara
Arts Languange, Linguistic, Communication & Media

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Narrrative Form : Cause and Effect Dalam Menjelaskan Karakter Bu Darmi dalam Film Pendek Bu Darmi Parawangsa, I Gusti Made Darma; Sitepu, Petrus Damiami
Titik Imaji Vol 7, No 2 (2024): JURNAL TITIK IMAJI
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/.v7i2.5202

Abstract

This study examines the concept of Narrative Form: Cause and Effect in describing the premise and character changes of Bu Darmi, as well as the arrangement of Narrative Film in Bu Darmi's short film. Additionally, the correlation between Narrative Form and Mise en Scene is explored. The study was conducted using a qualitative method with a descriptive approach, through in-depth observations of the theories applied to Bu Darmi's short film work. This text analyzes the use of Narrative Form in structuring a narrative, specifically in the Mise en Scene element, to demonstrate the Cause and Effect relationship that impacts character development and the influence of pressure on the main character.  The research focuses on the Narrative Form elements, particularly the use of Cause and Effect to Effectively convey the character's transformation in Bu Darmi's short film. This writing aims to provide a deeper understanding of the theory of Narrative Form and Mise en Scene: Staging. The research specifically focuses on the Mise en Scene element, which is crucial in film. Narrative Form shapes the characters in a movie. The writing presents a comprehensive analysis of Bu Darmi's short film screenplay, with a focus on the protagonist's character development.
Strategi Produksi Low-Budget: Peran Produser dalam Menjaga Production Value Film Pendek Perahu (2024) Ishmaturrahman, Fikri; Sitepu, Petrus Damiami
Titik Imaji Vol 8, No 2 (2025): JURNAL TITIK IMAJI
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/.v8i2.8580

Abstract

This study discusses the strategic role of the producer in maintaining Production Value in the short film Perahu (2024), which was produced on a limited budget production, particularly within the context of independent film production by amateurs and students. In the filmmaking process, a producer plays a critical role in designing strategies that balance time (fast), cost (cheap), and quality (good) to achieve optimal results. This research employs a descriptive qualitative method using a case study approach to explore in depth the production practices applied, with a primary focus on the pre-production stage, especially the casting and location scouting processes. Open casting was conducted through social media as a cost-effective strategy to attract potential actors at minimal expense. Meanwhile, location scouting was carried out in a structured manner, taking into account technical feasibility, visual aesthetics, and budget flexibility. The results indicate that the success in maintaining Production Value is not solely determined by the amount of funding but also by careful time management, optimal use of available resources, and the producer’s ability to adapt and negotiate effectively. These findings demonstrate that low-budget short films can still achieve broadcast-quality results when supported by well-measured production strategies initiated in the pre-production phase. This study not only contributes to the development of academic literature in the field of film production management but also serves as a practical reference for emerging filmmakers or students seeking to produce high-quality visual works despite limited resources.
Pengelolaan Anggaran Produksi Film Hybrid: Implementasi Production Triangle Pada Film Maya Can’t Have Nice Things Ariel, Stefanie; Sitepu, Petrus Damiami
Titik Imaji Vol 9, No 1 (2026): JURNAL TITIK IMAJI
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/.v9i1.9627

Abstract

The film Maya Can’t Have Nice Things utilizes the hybrid method in the production process, combining live-action and animation elements to create production cost efficiency. In budget management, the producer plays a crucial role by implementing the production triangle concept, prioritizing cheap and good in strategic decision-making. The producer collaborates with other departments to optimize resources, such as using one location for multiple sets, borrowing props, and integrating animation to reduce physical set costs. Additionally, the producer plays a creative role to ensure the director's vision is achieved in the film. The use of CGI technology allows for the replacement of expensive visual elements, providing artistic flexibility without sacrificing visual quality. Although there are unforeseen costs, the budget management remains aligned with the initial production budget, even allowing for the allocation of surplus funds to other departments that support the film's creativity. Thus, the implementation of the hybrid method, along with adaptive and efficient production budget planning, demonstrates that the producer can maintain a balance between low cost and high quality, which is key to the success of independent film production.
Co-Authors Ariel, Stefanie Ishmaturrahman, Fikri Parawangsa, I Gusti Made Darma