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Merati, Made Widyatantri
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Civil Engineering, Building, Construction & Architecture Environmental Science Transportation

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REINTERPRETASI ORNAMEN TRADISIONAL MINANGKABAU DALAM DESAIN INTERIOR LOBI HOTEL GRAND ASRILIA Malika, Indy; Hasan, Raziq; Merati, Made Widyatantri
Jurnal Ilmiah Desain & Konstruksi Vol 24, No 1 (2025)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/dk.2025.v24i1.13992

Abstract

Penelitian ini mengkaji ornamen tradisional Minangkabau yang diinterpratasi ulang dalam desain interior lobi Hotel Grand Asrilia. Ornamen tradisional Minangkabau, kaya akan karakterisitik, simbolis, dan estetika, menjadikan ciri khas Minangkabau dan menjadi peran penting dalam mencerminkan identitas etnis budaya. Metode penelitian yang digunakan adalah studi literatur untuk menggali dan memahami karakteristik ornamen Minangkabau yang diinterpretasikan pada interior Hotel Grand Asrilia. Data dikumpulkan melalui observasi langsung, wawancara dengan pihak hotel, serta analisis literatur yang relevan. Hasil penelitian menunjukkan bahwa reinterpretasi ornamen tradisional Minangkabau dalam Hotel Grand Asrilia dilakukan melalui pendekatan transformasi bentuk, warna, dan material, yang disesuaikan dengan kebutuhan fungsional dan estetika modern. Reinterpretasi ini menciptakan suasana yang harmonis antara nilai-nilai budaya dan kenyamanan modern, sehingga memberikan pengalaman unik bagi pengunjung hotel. Penelitian ini juga menyoroti pentingnya pemahaman mendalam tentang nilai-nilai budaya dalam proses desain untuk memastikan keberlanjutan warisan budaya dalam konteks modern.     
PERAN NIRMANA TRIMATRA DALAM PROSES STUDI PERANCANGAN DESAIN INTERIOR THE PURPOSE OF NIRMANA TRIMATRA IN INTERIOR DESIGN STUDY PROCESS Merati, Made Widyatantri
Jurnal Ilmiah Desain & Konstruksi Vol 24, No 1 (2025)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/dk.2025.v24i1.12492

Abstract

Design education, especially interior design, as a branch of applied creativity is education with various disciplines which, as time goes by, often experiences changes and challenges phenomenon. Various methods and variation of ‘creating’ techniques are used to produce design works that are innovative, creative, have a ‘noble’ meaning, and are well designed. Nirmana trimatra as basic visual education, is one of the design activities or methods in the design process, in order to produce design work that is full of aesthetics and useful values. This writing aims to discuss the nirmana trimatra study process carried out by interior design students in Depok and the importance of this process in designing interior designs. Through this writing, in essence, nirmana trimatra abilities which are closely related to sensivity to visual design composition and spatial intelligence are very important for the field of interior design, and the development of basic education must always be intensified and improved.
Co-Authors Malika, Indy