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All Journal Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Yudiaryani
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Expanding Technologized Theatre to Perform Intermedial Dramaturgy Yudiaryani; Hirwan Kuardhani; Pius Rino Pungkiawan
Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Vol. 1 No. 1 (2024): Proceeding to The 1st International Conference on Arts, Media, and Culture (ICA
Publisher : Institut Seni Indonesia Padangpanjang

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Abstract

This article attends to how the utilization of technological devices in twenty-first-century theatre performances can influence audiences' perception of the relationship between humans and technology. Representing artists' work in the fields of new media dramaturgy, intermedial performance strengthens the role of the human body in performance by organizing the embodiment as a technologized theatre strategy. This means that through theatrical technologization, the theatre expands into intermedial performance. This research applies Marco de Marinis' semiotic theory and Chiel Kattenbelt's intermedial theory as the formal objects. A contemporary performance, Jack the Robot performance, becomes the material object. The research uses a hermeneutic qualitative method. The data analysis technique is to reduce and classify data to discover concepts and theories between data in practice. The findings show that dramaturgy is no longer treated only as science, technology, and art, but its benefits are extended to society. Human resources' creativeness and expanded capacity return the body of art organically into interdisciplinary, intercultural, and educational embodiment. Dramaturgy, expanded with theatrical technologization, in its exploration extends to the intersection between embodiment, mise-en-scène, intermedial space, and its impact on the audiences' perception.
Teknologisasi Pertunjukan Dalam Kontestasi Dramaturgi Tradisi dan Modern Bagi Ketahanan Nasional Yudiaryani; Kuardhani, Hirwan; Pungkiawan, Pius Rino; A. Purba, Silvia; Haryono, A. Janu; Rahmah, Fitri
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.4434

Abstract

Theatre develops through shifting relations among body, space, and technology. Digital mediation does not merely introduce new aesthetic instruments but reconfigures dramaturgical structures and modes of knowledge production. Dramaturgy, therefore, must be understood as an epistemic practice organizing interactions among body, media, and spectatorship rather than as textual composition alone. This article reads the technologization of theatre as a shift from representation toward performativity and interactivity. The encounter between traditional and contemporary practices reveals technology as a negotiated field: disruptive within certain value systems yet generative of new aesthetic and conceptual possibilities. Through dramaturgical analysis, three interrelated configurations are identified—mimetic, epicising, and interactive—through which technologization operates as an epistemic condition. Theatre thus appears not only as artistic production but as practice-as-research, where knowledge emerges through performative processes.
Co-Authors A. Purba, Silvia Fitri Rahmah Haryono, A. Janu Hirwan Kuardhani Hirwan Kuardhani Pius Rino Pungkiawan