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All Journal ARTISTIC : International Journal of Creation and Innovation
Krisna Prabu, A.A. Gede Bayu Paramarta
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Arts Languange, Linguistic, Communication & Media

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THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART Krisna Prabu, A.A. Gede Bayu Paramarta
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.4678

Abstract

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART Krisna Prabu, A.A. Gede Bayu Paramarta
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.4678

Abstract

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
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