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Pengaruh Konsep 'New Woman' dalam Karya Kate Chopin dalam Perkembangan Sastra Amerika Raudhatul Jannah, Msy. Siti
Linguistika Kultura Vol 13 No 2 (2024)
Publisher : English Study Program, Faculty of Humanities, Universitas Andalas, Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jlk.13.2.72-88.2024

Abstract

This article explores Kate Chopin's contribution to shaping the concept of the New Woman, which significantly influenced the development of American literature in the late 19th and early 20th centuries. Against the backdrop of the post-Civil War era in the United States, marked by social changes and the growing women’s emancipation movement, this study examines how Chopin, through her seminal works The Awakening and The Story of an Hour, presents a discourse on women’s individual freedom and resistance to traditional gender norms. The analysis employs the framework of the New Woman, introduced by Sarah Grand, to highlight Chopin’s ideas about women’s autonomy over their lives and emotions. The article concludes that Chopin’s works played a pivotal role in creating narratives that reject gender constraints, assert personal identity, and demand emotional independence, all of which became foundational to feminist literature. Thus, Chopin is recognized not only as a pioneer of the New Woman in American literature but also as a visionary who continues to influence how literature portrays women’s freedom and experiences.
Ironi Dalam Novel Yellowface Karya R.F. Kuang Raudhatul Jannah, Msy. Siti; Devi, Rima; Ferdinal, Ferdinal
Jurnal Ilmiah Muqoddimah: Jurnal Ilmu Sosial, Politik dan Hummaniora Vol 9, No 4 (2025): November 2025
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jim.v9i4.2025.2048-2062

Abstract

Penelitian ini mengkaji konstruksi ironi dalam novel Yellowface karya R.F. Kuang. Dengan menggunakan pendekatan kualitatif deskriptif , penelitian ini menerapkan kerangka naratologi Gérard Genette (order, duration, frequency, mood, dan voice) yang dikombinasikan dengan konsep implied author dari Wayne C. Booth. Tujuan penelitian ini adalah untuk membongkar bagaimana strategi naratif digunakan untuk membangun ironi dan menciptakan jarak kritis. Hasil analisis menunjukkan bahwa kelima aspek naratologi Genette secara sistematis digunakan untuk mengekspos narator, June Hayward, sebagai narator yang tidak dapat dipercaya (unreliable narrator). Setiap upaya justifikasi dirinya justru mengungkap kontradiksi. Jarak ironis yang tercipta antara narator dan implied author inilah yang berfungsi sebagai mekanisme utama untuk menyampaikan kritik etis terhadap praktik apropriasi budaya, logika kapitalistik industri penerbitan, serta komodifikasi identitas dan trauma