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All Journal International Journal of Visual and Performing Arts Ghurnita: Jurnal Seni Karawitan
Kartawan, I Made
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Arts Humanities Education Social Sciences

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Bridging tradition and modernity: exploring patutan (the modal system) in Balinese music through the hybrid composition ‘cane’ Kartawan, I Made; Putra, I Made Dwi Andika; Hartini, Ni Putu
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1590

Abstract

This paper examines how the composer integrates traditional Balinese gamelan elements with Western musical concepts in the creation of the piece "Cane," focusing on two main aspects: the creative process and aesthetic analysis. Several strategies are employed, such as adopting, borrowing, transforming, elaborating, ornamenting, and combining musical elements from various genres and cultural traditions. The hybrid work "Cane" exemplifies this approach by blending motifs, patterns, and ornamentation from both Balinese and Western music. Additionally, the piece incorporates the processing of patutan/patet (modal system) from the Semar Pagulingan Saih Pitu gamelan ensemble. Rooted in research and experimentation, "Cane" is structured into five distinct parts, each utilizing one or more of these strategies. The music emphasizes melodic development intertwined with rhythmic, dynamic, and tempo variations. In the context of hybridization, the combination of musical elements includes: (1) Balinese traditions such as kekenyongan, nyongcag, ngempyung, and kekilitan motifs, and (2) Western elements like unison, harmony, dissonance, polyphony, and imitation
Understanding the Instrument Making Process of Pemade Semar Pegulingan Saih Pitu | Memahami Proses Pembuatan Instrumen Pemade Semar Pegulingan Saih Pitu Adi Dharma, I Wayan Agus; Kartawan, I Made
GHURNITA: Jurnal Seni Karawitan Vol 4 No 3 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i3.3416

Abstract

Considering the length and complexity of the process of making Balinese Gamelan, the process of learning to make instruments from bronze/kerawang is very important. Gamelan is one of the media expressed by Balinese composers in creating various musical compositions. However, before there is a composition, of course an instrument is needed as an important medium in realizing the musical idea. The process of making instruments from bronze or filigree is very interesting to learn to increase sensitivity to tones, the process of forging or forming blades, the tuning process, the process of making resonators/bumbung, and the process of making hangung/pelawah, as well as knowing the steps or stages of making instruments other. With the Internship/Practice program, it is hoped that it can awaken and maintain the enthusiasm of the next generation of young people in the field of arts and culture. Therefore, the author designed a work program with the title "From Blade to Pelawah: Understanding the Instrument Making Process of Pemade Semar Pegulingan Saih Pitu”.
Co-Authors Adi Dharma, I Wayan Agus I Made Dwi Andika Putra Ni Putu Hartini