Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Fauziyyah, Ifa Bilqiis
Unknown Affiliation
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Menyingkap Representasi Perempuan Dan Simbol Agama Dalam Poster Film Horor Indonesia: Melampaui Stereotip Pratiwi, Sekar; Fauziyyah, Ifa Bilqiis; Wahyudi, Luqman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v16i2.6594

Abstract

The Indonesian religious-themed horror film industry, as exemplified by Kiblat, Siksa Neraka, and Sijjin, leverages religious symbols to evoke fear and tension, presenting a stark contrast between sacredness and horror. However, this approach has sparked public controversy, with many perceiving it as a desecration of religious sanctity, leading to protests and boycotts that underscore the tension between artistic expression and religious values in Indonesian society. Furthermore, the portrayal of women in these films' posters often reinforces patriarchal stereotypes by depicting them as victims or objects of violence, perpetuating narratives of female subordination and hindering progress toward gender equality. Through Stuart Hall's Representation Theory, this study analyzes the visual and ideological construction of religious symbols and female figures in Indonesian horror film posters, exploring their denotative and connotative meanings to understand the genre's role in shaping social discourse on religion and gender within Indonesia's cultural context.
Menyingkap Representasi Perempuan Dan Simbol Agama Dalam Poster Film Horor Indonesia: Melampaui Stereotip Pratiwi, Sekar; Fauziyyah, Ifa Bilqiis; Wahyudi, Luqman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v16i2.6594

Abstract

The Indonesian religious-themed horror film industry, as exemplified by Kiblat, Siksa Neraka, and Sijjin, leverages religious symbols to evoke fear and tension, presenting a stark contrast between sacredness and horror. However, this approach has sparked public controversy, with many perceiving it as a desecration of religious sanctity, leading to protests and boycotts that underscore the tension between artistic expression and religious values in Indonesian society. Furthermore, the portrayal of women in these films' posters often reinforces patriarchal stereotypes by depicting them as victims or objects of violence, perpetuating narratives of female subordination and hindering progress toward gender equality. Through Stuart Hall's Representation Theory, this study analyzes the visual and ideological construction of religious symbols and female figures in Indonesian horror film posters, exploring their denotative and connotative meanings to understand the genre's role in shaping social discourse on religion and gender within Indonesia's cultural context.
Co-Authors Luqman Wahyudi Pratiwi, Sekar