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ANALISIS SEMIOTIKA REPRESENTASI KECURANGAN PEMILU DALAM FILM DOKUMENTER DIRTY VOTE Dimas Erdhinta Pratama Putra; Fatma Retha Hazmy
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol. 11 No. 1 (2024): MEMBACA NARASI TANDA KARYA VISUAL
Publisher : Institut Seni Budaya Indonesia Bandung

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Abstract

This research uses a descriptive study with a qualitative approach. Data was obtained by watching the film repeatedly and selecting scenes that represent the forms of election fraud design 2024. The theory used for analysis is Julia Kristeva's semiotic theory. Although Julia Kristeva's semiotic theory focuses on poetic language, the researcher tries to apply the theory to film media to explore the representation of election fraud. The results show that the representation of electoral fraud is shown through the genotext meaning of the film while the visuals shown to the audience are the phenotext. while the concept of abjection helps explain the audience's emotional reaction to the images depicting electoral fraud. The film's intertextuality connects it to the wider socio-political context, showing how fraud and power undermine the integrity of the democratic process. In conclusion, "Dirty Vote" succeeds in raising awareness and critical reflection on the importance of integrity in politics and elections.
Film Artifact Optimization Strategy: A Tourist Attraction Case Study of Gamplong Nature Studio Owie, Anggra Agastyassa; Edy Wibowo; Dimas Erdhinta Pratama Putra
PESHUM : Jurnal Pendidikan, Sosial dan Humaniora Vol. 4 No. 2: Februari 2025
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/peshum.v4i2.7352

Abstract

Film studio design is a process that involves various technical and creative aspects of creating an efficient and flexible production environment. The potential of a film studio setting can vary significantly depending on the size, facilities, location, and infrastructure available. The potential of a film studio setting can vary significantly depending on the size, facilities, location, and infrastructure available. One of the research models used is a descriptive research model. The research model used is a descriptive research model. Data collection used in this study is an interview with Adi Prabowo as the manager of the Alam Gamplong studio, observation to see the studio building directly, and documentation. The results of this study show that the strategy of the Alam Gamplong Studio in making film artifacts as a tourist attraction prioritizes management, innovation, stakeholder collaboration, preservation of film artifacts, promotion of tourist attractions, and solving the challenges being faced.