Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Tamaddun: Jurnal Kebudayaan dan Sastra Islam Jurnal Seni Tari
Rafi Alfaris, Muh
Unknown Affiliation
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Nilai Budaya dalam Tradisi Uler-Uleran di Jungsemi Wedung Demak Tathmainnul, Faizuna; Miftah M. Nur , Dany; Rafi Alfaris, Muh
TAMADDUN Vol 24 No 2 (2024): Tamaddun: Jurnal Kebudayaan dan Sastra Islam
Publisher : Fakultas Adab dan Humaniora UIN Raden Fatah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/tamaddun.v24i2.22977

Abstract

It is common knowledge that this rich Indonesia holds a wide variety of cultures and religious ceremonies from Sabang Island to Merauke Island. Uler-Uleran is classified as a Javanese tradition that is still carried out and preserved by the people of Jungsemi Village. The following article will explore more about the cultural values in the Uler-Uleran Tradition. The author will examine the procession, cultural values in the Uler-Uleran Tradition, and the dynamics and challenges in grounding the tradition. The research method used by the researcher is literature study. The results of this study explain that first, this tradition existed before Islam developed rapidly in the land of Jungsemi. Second, this tradition has cultural values in the form of worship values, brotherhood values, tawhid values, and responsibility values. Third, the dynamics and challenges in preserving the Uler-Uleran Tradition. The dynamics: shifts in meaning, changes in implementation, and religious influences. The challenges: the influence of modernization, shifting values, loss of original meaning, and the lack of involvement of village youth.
Preserving Bun Ya Ho Dance: A Bun Ya Ho Dance Procession Analysis in the Apitan Tradition in Kudus Rafi Alfaris, Muh; Supriyanto, Agung
Jurnal Seni Tari Vol. 13 No. 1 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bun Ya Ho dance is a colossal dance brought by KH Abdul Jalil Tamyiz around the 1950s from Bumiayu, Brebes Regency. He responded to the condition of the Megawon community. At that time, many hobbies were contrary to religious law. The revitalization of Bun Ya Ho dance is based on the need for a typical Megawon art form to be performed on religious holidays, one of which is the Apitan tradition. The following note will explore more deeply the meaning and cultural values of the Bun Ya Ho dance procession in the Apitan (alms of earth) tradition in Megawon, Kudus Regency, the dynamics and challenges faced by dancers in the Bun Ya Ho dance procession, and the role of the younger generation of Megawon in preserving Bun Ya Ho dance. The research method carried out by researchers is literature. Results of this study explain that first, the meaning of Bun Ya Ho dance movements, namely: tayub (drunkenness) movement, war movement, and standing movement on a jug. Then, the cultural values in Bun Ya Ho dance are social value, aesthetic value, and educational value. Second, the dynamics of Bun Ya Ho dance, namely the dynamics of the Bun Ya Ho dance performers, the dynamics of the number of Bun Ya Ho dance personnel, and the dynamics of Bun Ya Ho Dance costumes. Third, the role of Megawon's young generation in preserving Bun Ya Ho Dance, namely paying attention and studying Bun Ya Ho dance, disseminating Bun Ya Ho dance information through social media, and participating in Apitan events actively.                                                                       
Co-Authors Agung Supriyanto, Agung Miftah M. Nur , Dany Tathmainnul, Faizuna