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All Journal Panggung Atrat: Jurnal Seni Rupa
Zaman, Farid Kurniawan Noor
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Arts Humanities Education Social Sciences

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LAGU TURI PUTIH KARYA SUNAN KALIGAJA SEBAGAI INSPIRASI KARYA DENGAN TEKNIK LUKIS TIONGKOK Zaman, Farid Kurniawan Noor
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3516

Abstract

The song Turi Putih is a Javanese song that was written by Sunan Kalijaga, one of the figures who spread Islam in Java. Currently, the popularity of the song Turi Putih has declined and is no longer known, especially among children. In fact, the song has a deep spiritual meaning, especially for Indonesian Muslims. In this research, we will try to visualize the meaning of the song Turi Putih in the form of paintings using Chinese painting techniques. This research has several problem formulations, including: 1) How is the song Turi Putih interpreted? 2) How to visualize the result of Turi Putih song interpretation in Chinese painting? This research method uses qualitative descriptive analysis technique. This research uses a semiotic approach. The production method consists of several steps. The first stage is the search for ideas and ideas. The second stage is the deepening or maturation of ideas. The third or final stage is the realization of the artwork. The production technique is based on Chinese painting techniques. The result of this research is a work that represents the interpretation of the song “Turi Putih” by Sunan Kalijaga. The painting depicts several objects that symbolize death, including white Turi flowers, Kedasih birds, and Besrek batik. Turi putih symbolizes pocong, Kedasih bird is a bird that brings news of death, and Besrek batik is batik used to cover the corpse. The results of this creative research are expected to add insight to readers and contribute to expanding the treasures of global art diversity.
Estetika Teknik Chinese Painting pada Karya Seniman Keturunan Tionghoa di Indonesia Gani, Sangid Zaini; Cahyana, Agus; Zaman, Farid Kurniawan Noor
PANGGUNG Vol 32 No 4 (2022): Keragaman Budaya, Kajian Seni, dan Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i4.2270

Abstract

Seni lukis Tiongkok merupakan salah satu kesenian yang berkembang di Asia dan juga merupakan cikal bakal dari gaya-gaya modern saat ini, dimulai dari dinasti Song yang memperkenalkan seni lukis Shui Mo yang berlandaskan pada pemahaman terhadap nilai Tao yang dianut oleh masyarakat Tiongkok dan berkembang pesat hingga dinasti Tang hingga pada akhirnya muncul nilai dan prinsip canon yang merupakan 6 prinsip yang dipegang teguh oleh seniman Tiongkok yang di cetuskan oleh Hsien Ho. Seni lukis Tongkok yang berkembang menjadi Gongbi Hua gaya yang mengedepankan detail dan Xieyi gaya yang cenderung ekspresif dengan penggunaan teknik kuas, berkembangnya seni lukis Tiongkok terjadi juga di Indonesia seperti Lee Man Fong, Lim Wasin, Chiang Yu Tie hingga Chusin Setiadikara yang memiliki darah keturunan Tiongkok memperkenalkan gaya Lukis Tiongkok dengan mengangkat tema budaya indonesia yang memiliki ciri khas tersendiri yang berlandaskan pada 6 Prinsip seni lukis Tiongkok. Kata kunci: estetika, gongbi, xieyi, canon
Co-Authors Agus Cahyana Gani, Sangid Zaini