Esther Avilita Retor
Institut Agama Kristen Negeri Manado

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Efektivitas Nyanyian Tradisional : Ma’kaaruyen Sebagai Refleksi Makna Hidup Rakat Minahasa Yohan Brek; Charga Jofial Rumate; Lanny Sonia Bokko; Esther Avilita Retor; Immanuela Juliana Mumek
PADAMARA: Jurnal Psikologi dan Sosial Budaya Vol. 1 No. 1 (2024): Februari
Publisher : PT. Giat Konseling Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70420/j7ve3340

Abstract

The Minahasa community is known for its fondness for singing or vocal music. The song that has become the identity of the Minahasa community is known as Ma'kaaruyen. This research explores how the Minahasa community's way of life is interpreted through the song Ma'kaaruyen; a traditional musical artwork originating from Minahasa. Ma'kaaruyen is assumed to be one of the arts that reflects the life of the Minahasa community. Through a qualitative descriptive approach and analysis of the text found in the Ma'kaaruyen song, it was found that it contains meanings that integrate with the values of the Minahasa community's way of life. The musical elements in Ma'kaaruyen reflect the character and nature of traditional Minahasa society, which are associated with simplicity, tranquility, gentleness, cooperation (mapalus), and a loving attitude towards others. The extramusical meaning of Ma'kaaruyen from its lyrics is that Ma'kaaruyen is a song that conveys religious messages, advice, love, and expressions of the heart (lamentation and regret). Thus, the Ma'kaaruyen song has a reconciling function, which includes four main aspects of living in peace: a) reconciling with Allah, b) reconciling with oneself, c) reconciling with fellow human beings, and d) reconciling with the environment.