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Saputra, Felicia Celine
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Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Reclaiming Agency: Subverting Patriarchy and Reconfiguring Gender in Enola Holmes (2020) Saputra, Felicia Celine; Rumondor, Imanuela Kimberly
Jurnal Pendidikan Makarios Vol 2 No 2 (2025): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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In the 21st century, feminism continues to grapple with persistent challenges, including gender pay gaps, underrepresentation in leadership roles, and ongoing debates over reproductive rights that echo historical struggles for equality. Drawing connections to feminist protests during the Victorian era. Using a qualitative method, this study employed feminist theory, particularly the works of Judith Butler (1990), Betty Friedan (1963), and Charlotte Brontë (1847) to analyze the 2020 film Enola Holmes. The film is examined as a cultural text that subverts patriarchal norms and offers a narrative of female empowerment by: 1) presenting characters, such as Enola and her mother, Eudoria, who reject conventional feminine behavior in favor of self-defense, independence, and intellectual curiosity; 2) critiquing institutional constraints through the depiction of rigid gender stereotypes enforced by settings like the finishing school; and 3) illustrating how Enola’s defiance of familial and societal expectations empowers her to reclaim agency and reshape her future. This article contributes to ongoing academic discourse on gender representation in media by demonstrating how modern adaptations of historical settings can illuminate contemporary feminist issues and challenge established societal norms regarding gender equality.
Stoicism and its Influence in the Culture of New Testament Theology & Paul's Writings Saputra, Felicia Celine; Rumondor, Imanuela Kimberly
Jurnal Pendidikan Makarios Vol 2 No 2 (2025): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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This paper examines the interplay between Stoic philosophy and early New Testament theology, with a particular focus on Pauline writings. It explores how core Stoic concepts—such as logos, virtue, and natural law—were strategically adapted by early Christian thinkers to communicate the gospel within a Hellenistic intellectual framework. The discussion reveals three key points of theological tension: 1) Resurrection versus Immortality of the Soul: Whereas Stoicism posits that the soul merely returns to the universal order, Christian doctrine asserts the resurrection of the body and the promise of eternal, transformed identity (Engberg-Pedersen, 2020; Ferguson, 2021). 2) Personal God versus Pantheistic Logos: The Stoic view of an impersonal, all-pervading logos contrasts sharply with the Christian emphasis on a personal, relational God who actively engages with creation (Arnold, 1971; Wilson, 2023). 3) Grace versus Self-Sufficiency: Although Stoic ethics valorize self-sufficiency achieved through reason and discipline, Paul redefines these ideals by grounding moral strength in divine grace, thereby highlighting human dependence on Christ (Malherbe, 2022). This research shows how early Christian theology both borrowed from and diverged from prevailing philosophical traditions, thus laying the groundwork for a distinctive doctrinal identity. This synthesis not only facilitated the spread of Christianity among a philosophically sophisticated audience but also continues to offer a rich framework for contemporary theological dialogue and interfaith engagement. It is expected that further exploration of this convergence will deepen our understanding of the dynamic relationship between secular philosophy and religious thought, with implications for modern ethical discourse and apologetics.
Biopower, Discipline, and Resistance in The Hunger Games (2012): A Foucauldian Analysis Lee, Georgia Love; Silaen, Gwyneth Lillian; Saputra, Felicia Celine; Jacobus, Benaiya Tristan; Noah, Abimanyu; Hutagalung, Rachell Anastasya
Jurnal Pendidikan Makarios Vol 3 No 1 (2025): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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This study examines The Hunger Games (2012), directed by Gary Ross, through Michel Foucault’s concepts of power, discipline, and biopolitics. Using qualitative content analysis, the research investigates how the Capitol maintains dominance over the districts and how resistance emerges within oppressive systems. The findings reveal: 1) the Capitol’s exercise of biopower reduces life to political control, exemplified in the ritual of the Reaping where sacrifice is normalized as governance. 2) disciplinary power is reinforced through spectacle and propaganda, such as televised ceremonies and the constant reminder of rebellion, which embed fear and institutionalize trauma across generations. 3) despite these mechanisms of control, acts of resistance emerge: Katniss Everdeen and Peeta Mellark subvert Capitol authority through personal defiance, illustrating Foucault’s view that power inevitably produces resistance. By highlighting these dynamics, the film underscores how power operates not only through coercion but also through cultural production, surveillance, and ideology. This analysis contributes to the understanding of how popular culture reflects and critiques structures of domination and the possibilities of resistance in both fictional and real-world contexts.
Neocolonialism in Black Panther “Wakanda forever” Movie Kusen, Felicia Jessica; Saputra, Felicia Celine; Tambunan, Aubrey Jemima; Silaen, Gwyneth Lillian; Patricia, Catherine
Jurnal Pendidikan Makarios Vol 1 No 1 (2023): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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This study aims to show Neocolonialism in the movie "Black Panther: Wakanda Forever," employing the analytical framework of Marxism by Karl Marx and complemented by Foucault's theory of Power. The analysis unveils the disapproval of neocolonialism from Karl Marx's perspective through an in-depth exploration of the movie. The visual composition of the cinematography is conveyed along with the analysis of the movie. Embracing the Marxist approach, this study investigates the neocolonialism caused by external powers’ interest in the movie that has divided people even between social classes: Underwater Kingdom vs Wakanda. Three primary outcomes of neocolonialism emerge: 1) Resource Exploitation and Expansion (Namor): Namor, as the king of Sea peoples, represents the pursuit of expanding a powerful and resource-rich kingdom's interests. His actions could mirror neocolonial tendencies by seeking to control and exploit resources beyond his own nation's borders by any means: coercive, persuasive, or by force, mirroring neocolonizers. 2) Technological Protection and Resistance (Shuri): Shuri embodies the spirit of resistance against neocolonialism through her efforts to safeguard Wakanda's advanced technology. Her actions reflect a determination to prevent the appropriation of Wakanda's innovations by external forces, thereby preserving the nation's sovereignty and preventing technological exploitation. 3) Liberation and Ideological Influence (Erik Killmonger): While not physically present, Killmonger's legacy influences the resistance perspective. His radical ideals of liberating oppressed communities using Wakanda's resources align with resistance's goals, highlighting the potential outcome of neocolonialism where powerful nations may manipulate resources to advance their ideological interests.
Co-Authors Hutagalung, Rachell Anastasya Jacobus, Benaiya Tristan Kusen, Felicia Jessica Lee, Georgia Love Noah, Abimanyu Patricia, Catherine Rumondor, Imanuela Kimberly Silaen, Gwyneth Lillian Tambunan, Aubrey Jemima