Priyatama, Ardian Nugraha
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Ijime, Mentsu, dan LGBTQIA+ dalam Film Monster (2023): Kajian Hegemoni Gramsci Fitria, Ajeng Aisyah; Priyatama, Ardian Nugraha
KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v9i1.87-104

Abstract

Homogeneous Japan is the source of several problems that have yet to be solved, one of which is bullying. The amount of bullying that occurs, especially in schools, causes many students to be depressed and even commit suicide. These harmful things are then represented in a film titled Monster (2023). In this paper, there are two research questions, namely 1) how does the government dominate and hegemonise society so that the concept of homogeneity and mentsu can crystallise in Japan? 2) what is the relationship between the discourses of LGBTQIA+, ijime, and mentsu that appear in the film? Antonio Gramsci's theory of hegemony is used with a qualitative method to dissect the film. This research discovered that the film attempts to voice the discrimination received by LGBTQIA+ people in Japan by portraying them as two boys who fall in love and yearn for freedom. The societal pressure that considers them different due to the hegemony of the homogeneous concept of Confucianism leads to ijime. This is exacerbated by the mentsu in society, which has a reciprocal relationship. LGBTQIA+ people therefore have no space in conservative Japanese society and so the film was produced to emancipate freedom for subaltern LGBTQIA+ people.
BETWEEN FICTION AND HISTORY: THE NARRATIVES OF MAJAPAHIT IN GIGREY'S NOVEL 'MADA' Fitria, Ajeng Aisyah; Priyatama, Ardian Nugraha
Leksema: Jurnal Bahasa dan Sastra Vol. 9 No. 2 (2024)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v9i2.9671

Abstract

The Majapahit Empire has been a source of inspiration for writers of historical fiction, such as Gigrey with his novel Mada. Unfortunately, these historical fictions have the possibility to make readers experience misunderstanding in comprehending history. Therefore, this study aimed to reveal to what extent historical deviation can be considered as creativity and not deviation and whether it can be considered a deviation when the writer develops the history excessively. This study employed a descriptive-qualitative method and used Lindbald's theory of historical fiction for analyzing the data. The result shows that there is a historical narrative that can be categorized as creativity because it is so imaginative and does not trap readers in false history. Meanwhile, one form of creative change in the novel that traps can be seen when Nertaja is told as Tribhuwana Wijayatunggadewi's adopted son. Because of these creative changes, many readers are trapped in a false history as evidenced by the comments on Goodreads. This is exacerbated by promotional narratives about the author's extensive research, making common reader even more trapped in the falsehood.
Efek Panoptikon Orde Baru dalam Cerkak Berjudul Seksi Saka Menara Karya Suparto Brata Fitria, Ajeng Aisyah; Priyatama, Ardian Nugraha
Arnawa Vol 3 No 1 (2025): Edisi 1
Publisher : Javanese Language, Literature, and Culture Study Program, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/arnawa.v3i1.23746

Abstract

The ruling state employs various methods to control its citizens, both through legal institutions and through entities deemed "safe," such as schools and hospitals. This form of power ultimately creates what is known as the panopticon effect-a phenomenon where individuals feel as though they are constantly being watched, leading them to exercise caution to avoid committing unlawful acts. This concept is illustrated in the short story "Seksi Saka Menara" or "Witness from the Tower" by Suparto Brata. To explore this social phenomenon in depth, the research utilizes Foucault's panopticon theory. The methodology employed in this article is qualitative, incorporating data collection techniques that include a literature review. The data consists of quotations from the short story relevant to the panopticon effect. The results of this study indicate that the character Poniran becomes increasingly troubled and paranoid, leading him to entertain irrational speculations as a result of the panopticon effect. One of his excessive speculations is the belief that the police can track money circulation through its serial numbers. The panopticon effect causes Poniran to feel constantly monitored, thereby discouraging him from committing dishonorable acts. The sources of this effect in the short story include religion, society, culture, and the New Order government. === Negara yang berkuasa menggunakan berbagai cara untuk mengatur rakyatnya, baik melalui lembaga hukum maupun melalui lembaga yang dinilai “bersih”, seperti sekolah, rumah sakit, dan lain-lain. Bentuk kekuasaan tersebut pada akhirnya melahirkan efek panoptikon, yaitu sebuah efek ketika seseorang selalu merasa diawasi dan akhirnya berhati-hati agar tidak melakukan tindakan melanggar hukum. Hal tersebut tersepresentasikan dalam cerkak berjudul Seksi saka Menara atau Saksi dari Menara karya Suparto Brata. Untuk menyingkap fenomena sosial tersebut dengan detail, maka digunakan teori panoptikon Foucault. Dalam hal ini metode penelitian yang digunakan adalah metode kualitatif dengan teknik pengumpulan data menggunakan teknik studi pustaka. Datanya berupa kutipan-kutipan dalam cerkak yang berhubungan dengan efek panoptikon. Hasil yang diperoleh dari penelitian ini adalah, tokoh Poniran menjadi sangat gundah hingga memikirkan spekulasi-spekulasi tidak masuk akal dikarenakan secara tidak sadar dirinya telah terkena efek panoptikon. Salah satu spekulasi berlebihan tersebut adalah tokoh Poniran berpikir bahwa polisi dapat melacak pengedaran uang melalui nomor seri uang. Efek panoptikon membuat tokoh Poniran merasa diawasi sehingga tidak dapat dengan mudah melakukan perbuatan tercela. Sumber dari efek panoptikon dalam cerkak ini adalah agama, adat istiadat masyarakat, dan lembaga negara orde baru.