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All Journal Framing: Journal of Art, Film, Television, Animation, Games and Technology
Nyoman Lia Susanthi
Indonesian Institute of the Arts (ISI) Denpasar, Faculty of Fine Arts and Design, Indonesia
Arts

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Angkara: Short Film Exploration Of Bali Traditional Art Comedian Clekontong Emas I Komang Arba Wirawan; Paul Trinidad; Nyoman Lia Susanthi
Journal of Art, Film, Television, Animation, Games and Technology Vol. 1 No. 1 (2022)
Publisher : Perkumpulan Program Studi Film dan Televisi Indonesia

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The purpose of this study is to analyze the film titled Angkara. This film was produced by Dream House Production (DHP). DHP is a start-up for Film and Television Study Program students, a result of the academic learning process at the Indonesian Arts Institute Denpasar. In the DHP production team, the director of this film is Herda Martin Dwi Angga, and the producer is Robi'atul Yamania. DHP is a creative visual and production team that was formed in 2006. This film explores the traditional art of Balinese comedian (Bondres) Clekontong Mas, based on the social phenomena of Balinese society. This research is qualitative and descriptive, using a video recording of Angkara film. Then several scenes related to Mise En Scene were analyzed. The analysis of research and creation data was conducted by using the Mise En Scene creation theory. Baudrillard Mise En Scene was used to find out the setting, directing style, blocking, costumes, and lighting in the frame of this film. The results show that Angkara film used a traditional Balinese setting in 2018 with comedian directing style, in terms of blocking, the placement of Clekontong Emas as a supporting role was successful in comedy acting. The costumes of Angkara actors, with traditional Balinese characteristics, can describe the comedian's situation based on local Balinese wisdom. The social phenomenon that was told in this film managed to make this film win national and international festivals. Thus, Balinese traditional comedy can be a source of creating short films that have distinctive characteristics and are able to win film festivals.
Korean Pop (K-Pop) Culture Phenomenon On The Behavior Of Indonesian Society I Gusti Ngurah Jayanti; I Komang Arba Wirawan; Nyoman Lia Susanthi; Ni Wayan Masyuni Sujayanthi
Journal of Art, Film, Television, Animation, Games and Technology Vol. 1 No. 1 (2022)
Publisher : Perkumpulan Program Studi Film dan Televisi Indonesia

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This study aims to analyze the phenomenon of K-pop culture in Indonesian society. The K-pop phenomenon has grown and become popular since the 1990s until now. K-pop is increasingly widespread as its fans come of any age and social status. Korean contents ranging from music, films, cuisine, and lifestyle, are increasingly popular and favored by the people of Indonesia. This has become a phenomenon that describes the massive diffusion of Korean culture that has had an impact on the lives of Indonesian people. The problems raised in this paper include 1). How the Indonesian people respond to the phenomenon of pop culture (K-pop); 2). How is the influence of cultural elements (K-pop content) on the behavior of Indonesian people. This study uses the triangulation method, namely observation, interviews, and documentation, while the analysis technique is descriptive and interpretive. The theory used to dissect the problem is a cultural theory, namely the theory of pop culture. The results of the research in this paper show that the influence of pop culture is a world phenomenon that occurs due to the influence of globalization; moreover, the progress of science and information technology influences people's consumption. The spread of the dominant culture is rapidly and massively diffused in the public and private spheres. Consumerism culture is something that seems commonplace in the phenomenon of pop culture, both among young people and adults. Pop culture (K-pop), which is trending (viral) among the Indonesian people, influences the behavior of the people. The lifestyle that imitates the models of K-pop is increasingly widespread, and some young people make K-pop a role model for their fashion and identity. The K-pop phenomenon certainly brings consequences to the cultural life of the Indonesian nation.
Co-Authors I Gusti Ngurah Jayanti I Komang Arba Wirawan Paul Trinidad Sujayanthi, Ni Wayan Masyuni