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Rebuilding Imagination through Nostalgia: Recycling and Intertextuality in Disney Live-Action Films Indra, Daswandi Budi
Jurnal Spektrum Komunikasi Vol 13 No 1 (2025): Jurnal Spektrum Komunikasi : March 2025
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v13i1.884

Abstract

This article explores the concepts of intertextuality and the process of story recycling in Disney live-action films, including Maleficent (2014), The Jungle Book (2016), Beauty and the Beast (2017), The Lion King (2019), and Aladdin (2019). It highlights how Disney integrates elements from classic stories to create new narratives that resonate with modern audiences. Through a narrative analysis approach, this study examines Disney’s efforts to reconstruct collective imagination through nostalgia, manifested in intertextuality and recycling within visual elements and story development. The findings demonstrate how these strategies effectively preserve the appeal of classic tales while offering a fresh experience for contemporary viewers.
Dari Pembungkaman ke Perlawanan: Transformasi Agensi Perempuan dalam A Thousand Splendid Suns melalui Perspektif Muted Group Theory Indra, Daswandi Budi
Jurnal Riset Komunikasi (JURKOM) Vol. 8 No. 2 (2025): Agustus 2025
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komuniasi (ASPIKOM) Wilayah Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study analyzes the transformation of female agency in Khaled Hosseini’s novel A Thousand Splendid Suns through the lens of Muted Group Theory (MGT). Employing a qualitative text-based approach, the analysis explores how the character Mariam undergoes a process of silencing shaped by patriarchal social structures and male-dominated language, and how she gradually reconstructs her voice through acts of resistance. The findings reveal that silencing of women occurs not only physically and verbally but also symbolically and epistemically. However, personal resistance, women’s solidarity, and self-awareness emerge as key elements in articulating female agency. Through Mariam’s narrative, the study demonstrates that women are capable of creating alternative spaces of meaning beyond dominant systems. Accordingly, this research not only extends the application of MGT in literary contexts but also underscores literature as an emancipatory arena reflecting women’s struggles against social injustice. Furthermore, it highlights the potential of enriching MGT through dialogue with intersectionality, while offering practical implications for gender-sensitive communication education and media literacy.